High Betcover!!

New York-based guitarists Jack Petruzzelli and Cameron Greider have played with a Who’s Who of rock and pop artists from Patti Smith and Chris Cornell to Joan Baez and Rufus Wainwright.

In 1969, Sea Shanties established High Tide as one of Britain's heaviest bands and the choice of George Chkiantz (who had previously worked with Jimi Hendrix and Led Zeppelin) as co-producer for their second album seemed to signal the group's intention to continue in the same direction. In comparison with their hefty debut, however, the self-titled follow-up is a relatively subdued affair. The interplay of guitarist Tony Hill and violinist Simon House is still very much at the core of High Tide's distinctive hybrid of psychedelia, prog, and hard rock, but while Hill lays down his characteristically intricate, searing guitar lines, he forgoes the sort of weighty, molten riffage that made Sea Shanties such a behemoth.

2006 reissue with 4 previously unreleased bonus tracks.
High Tide's self-titled second album from 1970 continues the great jamming heavy prog rock tradition that they initiated with Sea Shanties from 1969.
"High Tide" grafts violin (courtesy of future Hawkwind and Third Ear Band member Simon House), alongside little touches of organ, piano and more acoustic guitar flavours this time around, and the LP offers fleeting moments of folk, raga-rock and acid elements woven to the relentless mud-thick sludgy guitars.

2006 reissue with 4 previously unreleased bonus tracks.
High Tide's self-titled second album from 1970 continues the great jamming heavy prog rock tradition that they initiated with Sea Shanties from 1969.
"High Tide" grafts violin (courtesy of future Hawkwind and Third Ear Band member Simon House), alongside little touches of organ, piano and more acoustic guitar flavours this time around, and the LP offers fleeting moments of folk, raga-rock and acid elements woven to the relentless mud-thick sludgy guitars.

The name (an acknowledgement of mankind as parasite-in-chief) is High Parasite; the voice, that of Aaron Stainthorpe - longstanding frontman with doom metal maestros, My Dying Bride…
The 10 tracks are produced by the legendary Gregor Mackintosh of Paradise Lost, who also adds some signature guitar lines and programming, and as a body of work, ‘Forever We Burn’ heralds the arrival of a new name and a familiar, formidable voice.
As a revered and recognised performer, a founding member of My Dying Bride and singer with the groundbreaking act for over three decades, the spotlight will doubtless focus on Aaron’s distinctive profile to start with; pull back the red velvet curtains…

HIGH WHEEL's history begins in late-80's ,when Wolfgang Hierl and Erich Kogler set themselves apart from the thrash metal scene and their band ''The Hammers'',searching for more melodic and refined musical paths. Their new project would never become true,if they hadn't met excellent drummer Uli Jenne and after a few rehearsals they decided to form officially a new progressive rock act. With the addition of Andreas Lobinger on keyboards their debut ''1910'' came out in 1993 as a private press,recorded at Tonstudio Rixner near Tegernnsee.

The name (an acknowledgement of mankind as parasite-in-chief) is High Parasite; the voice, that of Aaron Stainthorpe - longstanding frontman with doom metal maestros, My Dying Bride…
The 10 tracks are produced by the legendary Gregor Mackintosh of Paradise Lost, who also adds some signature guitar lines and programming, and as a body of work, ‘Forever We Burn’ heralds the arrival of a new name and a familiar, formidable voice.
As a revered and recognised performer, a founding member of My Dying Bride and singer with the groundbreaking act for over three decades, the spotlight will doubtless focus on Aaron’s distinctive profile to start with; pull back the red velvet curtains…

High Tide is completely ahead of its time. On their first album, Sea Chanties, they combine their folkish influences with a more harsh, aggressive sound. Sometimes sounding jazzy, and one of the first, if not the first prog-metal album. The key here is the battle, the rivalry between the electric guitar of Tony Hill and the excellent playing of Simon House on his electric violin. From the first second we feel something is ahead of its time. A huge guitar riff starts off the album, and the great rythm section soon come along. The violin adds up to the unique sound and forms a melodic mess. Throughout the album, there are a lot of excellent guitar moment and as many violin ones. Diverse, but always true to their roots, High Tide delivers. The only problem may be the vocals, wich do not fit with the intensity of the music. Still, this is heavy stuff for the time and still today, it sounds like a ton of brick.