High Betcover!!

High Wheel's history begins in late-80's, when Wolfgang Hierl and Erich Kogler set themselves apart from the thrash metal scene and their band ''The Hammers'', searching for more melodic and refined musical paths. Their new project would never become true, if they hadn't met excellent drummer Uli Jenne and after a few rehearsals they decided to form officially a new progressive rock act. With the addition of Andreas Lobinger on keyboards their debut ''1910'' came out in 1993 as a private press, recorded at Tonstudio Rixner near Tegernsee…

One of the most important underground hard rock band from Britain and also a very influential group , although they never managed much commercial success. Their sound in their two historical album can be likened to BLUE CHEER or STEPPENWOLF ( but with lenghty improvisations in some tracks) and is sometimes mentioned as one of the first example of Heavy Metal music , some progheads on this site even going as far as citing them as the grandfather of Prog Metal. The Original line-up was a quartet consisting of a superb singing guitarist , A violinist sometimes playing KBs and a good rhythm section. After the second album's release , their drummer left for health reason , and HIGH TIDE did not release another album for some 18 years although they still recorded aopparently fairly regularly with an unstable permanent line-up with Tomlin…

UK seven track CD pressing of this single from the veteran British band. 'People On The High Line' is the fourth single to be taken from Music Complete, the critically acclaimed album by New Order. The single package launched with a remix from Claptone. The package is rounded out by remixes from Late Nite Tuff Guy, Hybrid, Planet Funk and Richard X.

After the success of For ever Fortune, early music from Scotland, François Lazarevitch continues his exploration of the ‘Celtic’ repertories with a new programme devoted to early Irish music. This repertory of old airs from the seventeenth and eighteenth centuries consists of dances, songs in Gaelic and varied instrumental pieces: they tell tales of wars, of love, of strong drink and tobacco, of children and bards. A leading specialist in the flute and bagpipe families, François Lazarevitch opens out new horizons of colours and sounds. He has gathered around him here a number of distinguished performers of early music (including the fabulous Baroque violinist and fiddler David Greenberg) and invited the American tenor Robert Getchell, who cuts a very credible figure as a singer going back to his roots.

Bud Freeman - Chicago/Austin High School Jazz In Hi-Fi (1957 {Mosaic Singles MCD-1002 rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 268 Mb | MP3 @320 -> 154 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1957, 2006 RCA Victor / Mosaic Records / Sony BMG Music | Mosaic Singles MCD-1002
Jazz / Mainstream Jazz / Swing / Dixieland / Trad Jazz / Saxophone

Three overlapping groups are heard from here, and they revisit the repertoire of the McKenzie & Condon's Chicagoans of 1927 (playing new versions of the four songs originally recorded) and Bud Freeman's 1939-1940 Summa Cum Laude Orchestra. The two septets and the octet feature such immortal Condonites as tenor saxophonist Bud Freeman; Jimmy McPartland and Billy Butterfield on trumpets; trombonists Tyree Glenn and Jack Teagarden (who also takes some vocals); clarinetists Pee Wee Russell and Peanuts Hucko; pianists Gene Schroeder and Dick Cary; rhythm guitarist Al Casamenti (but surprisingly no Eddie Condon); bassists Milt Hinton, Al Hall, and Leonard Gaskin; and drummer George Wettling. The veterans were all still in prime form at the time, and they sound quite inspired.