Highland Dawn Anna Markland

Anna Prohaska asked Wolfgang Katschner and the Lautten Compagney at the outset of the coronavirus crisis whether they shouldn’t spontaneously organize a musical get-together in this period. This has now resulted in #ERLÖSUNG/REDEMPTION, a sequence of music selected solely from Bach cantatas, compiled in keeping with the aforenamed conceptual association. We see the motto ERLÖSUNG/REDEMPTION as having multiple meanings, for instance: can music give us consolation in times of sickness and crisis; can it open up emotional and contemplative spaces for us; is it redemptive for us as musicians to be the “Instruments” in engendering music and therefore spirituality… ? Besides Anna as soloist and three other singers, we cast a larger group of musicians – around twenty instrumentalists – which stands for the lautten compagney and communes in accompanying the arias Anna sings, hence also initiating a statement or a kind of living sign of a collective such as the ensemble normally represents.

With 'Zenith', the internationally renowned soloists Anna Stegmann and Jorge Jimenez follow up their successful debut album 'Lunaris'. As there, the experts in historically informed performance practice have created with 'Zenith' a new sound world all their own, in which, artistically at the highest level and beyond conventions and stylistic dictates, they confidently transcend their original habitat.

Signum Records present an exciting new collaboration and a debut recording with Leeds International Piano Competition Winner (2015), Anna Tsybuleva, of music by Johannes Brahms together with the Deutsches Symphonie-Orchester Berlin, conducted by Ruth Reinhardt.

Marco Ceccato and Anna Fontana are well-known performers on the international baroque circuit and familiar faces thanks to their recordings for Outhere labels Alpha, Arcana and Zig-Zag Territoires (including Marco's 2015 Diapason d'or Award winning recording of Boccherini with Accademia Ottoboni). Now they have come together to tackle the two revolutionary works for piano and cello composed by Ludwig van Beethoven in 1796 and dedicated to King Frederick William II of Prussia. Their interpretative approach deepens our understanding of the final years of that century when a young Beethoven, a child of the 18th century, was grappling with one of his most extraordinary stylistic innovations. These two expert performers have set out to reconstruct historically reliable versions of the works, linking Beethoven’s revolutionary harmonic solutions with the 18th-century stylistic features that were still in vogue, from phrasings to Beethoven’s meticulously notated articulations.

Orchid Classics presents one of two releases showcasing winners of the Carl Nielsen Competition 2019. Hailed as ‘One to Watch’ by Gramophone magazine, Slovenian clarinettist Blaž Šparovec was praised by jury member Michael Collins as “the deserving winner … he showed immense qualities from the start and is able to communicate with the audience his joy of music-making. His technical skill and warm sound will make him stand out as a true individual.” With the Odense Symphony Orchestra, Blaž Šparovec performs four masterpieces: Debussy’s breathtaking Première rhapsodie, written as a competition piece for the Paris Conservatoire; Nielsen’s Clarinet Concerto, often described as the greatest of the 20th century; Lutosławski’s folk-like Dance Preludes; and Copland’s demanding, jazzy Clarinet Concerto, performed in its original state – unaltered by simplifications made by its dedicatee, Benny Goodman.