Barely known outside of his home country during his lifetime, the late Japanese ambient music pioneer Hiroshi Yoshimura has seen his global stature rise steadily in the past few years. The 2017 reissue of his lauded debut, Music For Nine Post Cards, along with a slow building cult internet following has helped ignite a renaissance in his acclaimed body of work, much of which has never been released outside of Japan. Known for his sound design and environmental music, Yoshimura worked on a number of commissions following the 1982 release of Music For Nine Post Cards, including works for museums, galleries, public spaces, TV shows, video art, fashion shows, and even a cosmetics company.
Temporal Drift proudly presents the long-awaited, first-ever reissue of Surround, Hiroshi Yoshimura’s sought-after ambient classic.
Hiroshi Yoshimura was a Japanese musician and composer. He is considered a pioneer of ambient music in Japan. Music For Nine Post Cards is the debut studio album by Hiroshi Yoshimura, released by Sound Process in 1982 and rereleased by Empire of Signs in 2017.
The only available recordings from Satoshi Ashikawa, who passed away shortly after making this record. This was the second in a three record series called Wave Notation, which also included Hiroshi Yoshimura‘s Music for Nine Postcards and a collection of Erik Satie songs played by Satsuki Shibano - fittingly, fans of Yoshimura and Satie will find a lot to love here. Perfectly bare bones minimalism - just harp, piano, flute, and vibraphone. Crystalline, pastoral, picnic-ready. Midori Takada on both harp and vibraphone.
H.Takahashi, Tokyo based Architect and sound designer. ‘Low Power’ draws strands of Minimalism from the Japanese Minimalist works from the likes of Hiroshi Yoshimura and Satoshi Ashikawa, to masters such as Erik Satie and John Cage, and Ambient leaders Brian Eno and Roedelius. His sound sometimes seems to be drizzling like rain, but still the feeling of refreshing sounds sinks pleasantly inside the body like a shower bathed after running 100 meters with full power. A genuine melody gives a feeling that drifts in the water. The philosophy of simple timbre composition and placement makes feel the composition of the Japanese garden and the minimalism of Sen no Rikyu.