Final Floor is eleven new tracks featuring saxophonist Kamasi Washington and trumpeter Erik Jekabson with longtime collaborators and songwriters Matt Montgomery and Gregory Howe. Joining them are Mike Hughes on drums, Kasey Knudsen on Alto Saxophone, Ross Howe on Fender Guitar and Mike Blankenship on organ. As the title indicates, this album represents the final original recordings of Throttle Elevator Music. Final Floor has an upscale energy with elements of rock and punk that fuel the overall sound and dynamically bring an edge back to jazz.
An anthology of Seefeel’s 94-96 work made for Warp and Rephlex, including their out-of-print studio albums Succour and (Ch-Vox), two non-album EPs, Starethrough and Fracture/Tied, and 22 bonus tracks from the Seefeel archives, many previously unreleased tracks.
Succour was released quickly after the success of their 1993 debut Quique - regarded as a prophetic example of shoegaze’s eventual transformation into post-rock - a newly minted contract with Warp would prove symbolic of where the group would steer the project next. The few "rock" elements of its full-length predecessor had evaporated, and vast spaces of dub and ambient would come to inform 1995’s Succour. Skeletal rhythmic elements amalgamating into their brooding, elemental and completely singular sound…
Colourgrade follows on from 2018’s immediate cult classic LP, Devotion. It forms a subconscious snapshot from across a year when Tirzah was playing live regularly for the first time, in the depths of promoting Devotion and recorded soon after the birth of her first child and shortly before her second child was born. The album explores recovery, gratitude and new beginnings, presenting a singer having discovered the type of love that is shared between a mother and a child for the first time, whilst simultaneously working as an artist. Capturing both the great and the scary, the exhaustion and the recovery, Colourgrade is a listless amble through the innermost feelings, an intoxicating presentation of a full time mother and artist.
Hologram is the first release from New York Post-Punk legends A Place To Bury Strangers on their own newly formed label, Dedstrange. Hologram is the follow up to their highly regarded fifth album, Pinned, and is a sonic return to A Place To Bury Strangers’ rawest, most unhinged sound. With songs addressing the decay of connections, friendships lost, and the trials and tribulations of these troubled times, Hologram serves as an abstract mirror to the moment we live in. Written and recorded during the on-going global pandemic and in the midst of the decline of civilization, Hologram is a sonic vaccine to the horrors of modern life.