Howl And The Pussycat

There's a kind of beautifully perverse brilliance to the Pussycat Dolls. Not only are they a sextet who got their start as neo-burlesque dancers in Los Angeles, but they make no bones about being a gleefully manufactured dance-pop act. Open the booklet for their 2005 debut, PCD, and their artificiality is made clear: the first page reads "All lead and background vocals by Nicole Scherzinger," a former member of Eden's Crush, the failed prefab teen pop group assembled on the WB's pre-American Idol reality music show Popstars. There is no pretense that Kimberly, Carmit, Ashley, Melody, and Jessica are there for anything besides filling out the illusion that this is a real performing musical group and providing some serious eye candy for a group that is all about the visuals.

John Foxx And The Maths return with a new line-up on their 5th studio album, Howl. Former Ultravox guitarist Robin Simon joins Foxx, Benge (Ben Edwards) and Hannah Peel after previously guesting with The Maths at their debut Roundhouse show in 2010.The Maths have created an album of dark, writhing glamour. Opener My Ghost sounds like haunted static in a cold wind, the title track is a twisted glam-punk celebration of ‘the outsider’ who leaves the fringes to make himself visible, while Foxx switches to a sinister Ferry-esque croon on Tarzan And Jane Regained.

Featuring some of the most stunning musicianship ever associated with England's Canterbury scene, Hatfield and the North's second LP features, like their eponymous debut, Dave Stewart on keyboards, Phil Miller on guitar, Richard Sinclair on bass and vocals, and Pip Pyle on drums (supplemented by a few guest instrumentalists and the ever-ethereal Northettes with their "la la" backing vocals). The participants show an admirable sense of restraint and, like their Canterbury peers, are careful to avoid the pomposity and bombast of better-known prog rockers of the era, such as Emerson, Lake & Palmer and Yes.

Have you heard The News? The sweet pop/rock/soul sound of San Francisco's Huey Lewis & The News has sadly gone silent in recent years, thanks to its one-of-a-kind frontman's battle with Ménière's disease, which causes intermittent hearing loss. But a surprise new reissue campaign courtesy of Universal Music Group's Japanese division promises the most comprehensive look at the band's blockbuster catalogue of the '80s and early '90s.

The definitive Jay & the Americans collection, Come a Little Bit Closer: The Best of Jay & the Americans, collects the highlights of the band's career with each of its lead singers, Jay Traynor and Jay Black. Traynor was the voice behind the group's first big hit, 1962's "She Cried," as well as singles like "Dawning," the melody of which cleverly mimics Edvard Grieg's "Morning Mood" and a laid-back version of "Tonight" from West Side Story. It's too bad that the Americans didn't wait to record that last song until Black had entered their fold. His impressive range and theatrical delivery made songs like "Only in America" sound like they were from some forgotten musical and made the band's version of "Crying" closely rival Roy Orbison's original. Along with the title track, "Come a Little Bit Closer" also features the hits "Cara Mia" – one of the best showcases for Black's vocal prowess – and "This Magic Moment," as well as sound-alike follow-ups like "Let's Lock the Door (And Throw Away the Key)," "Some Enchanted Evening," and "Sunday and Me".