Chester Arthur Burnett, known as Howlin' Wolf, was a Chicago blues singer, guitarist and harmonica player, originally from Mississippi. With a booming voice and looming physical presence, he is one of the best-known Chicago blues artists. Musician and critic Cub Koda noted, "no one could match Howlin' Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits." Producer Sam Phillips recalled, "When I heard Howlin' Wolf, I said, 'This is for me. This is where the soul of man never dies'". Several of his songs, including "Smokestack Lightnin'", "Back Door Man", "Killing Floor" and "Spoonful", have become blues and blues rock standards. In 2004, Rolling Stone magazine ranked him number 51 on its list of the "100 Greatest Artists of All Time."
On their debut album Canis Lupus, Darryl Way's Wolf included both instrumentals and vocal numbers, with bassist Dek Messecar taking on the latter duties. The album garnered critical acclaim, and in its wake the quartet embarked on a successful British tour. On-stage, however, Messecar found it difficult to combine vocals with his intricate bass playing, thus the band's sophomore set, Saturation Point, was comprised almost exclusively of instrumentals. It was a grand album, but also failed to chart, and Way became convinced that the lack of frontman was holding them back from success. Former If vocalist John Hodkinson was recruited to amend this flaw, and the new-look Wolf began work on Night Music, their third and final album…
Howlin' Wolf's first and second Chess albums are essential listening of the highest order. They were compiled - as were all early blues albums - from various single sessions (not necessarily a bad thing, either), and blues fans will probably debate endlessly about which of the two albums is the perfect introduction to his music. But this CD reissue renders all arguments moot, as both album appear on one disc, making this a true best buy. Wolf's debut opus – curiously tacked on here after his second album - features all of his early hits ("How Many More Years," "Moanin' at Midnight," "Smokestack Lightning," "Forty Four," "Evil," and "I Asked for Water [She Gave Me Gasoline]"), and is a pretty potent collection in its own right. But it is the follow-up (always referred to as "the rocking chair album" because of Don Bronstein's distinctive cover art) where the equally potent teaming of Willie Dixon and Wolf produced one Chicago blues classic…