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When Simone Kopmajer got together with Terry Myers (leader of the Tommy Dorsey Orchestra) last year for a „Vienna Session“, they didn´t expect to come out a whole new album. „HOPE“ contains brand-new original material in a smooth and relaxing, jazzy mood as well as cover songs like „Sittin´ on the Dock of the Bay“ (Otis Redding), „Careless Whisper“(George Michael) and jazz standards such as „Pick Yourself Up“, „What a Difference a Day Makes“ and „Old Devil Moon“.

When Simone Kopmajer got together with Terry Myers (leader of the Tommy Dorsey Orchestra) last year for a „Vienna Session“, they didn´t expect to come out a whole new album. „HOPE“ contains brand-new original material in a smooth and relaxing, jazzy mood as well as cover songs like „Sittin´ on the Dock of the Bay“ (Otis Redding), „Careless Whisper“(George Michael) and jazz standards such as „Pick Yourself Up“, „What a Difference a Day Makes“ and „Old Devil Moon“.

"With Love" is a mix of old timeless classics, love songs and two original compositions, definitely Simone Kopmajer's most romantic album in her incredible career on which she is again proving her different facets as a musician and vocalist. String arrangements played by Grammy Winning NY string quartet. Another highlight are the guest appearances of jazz legend Sheila Jordan and John Di Martino.

"With Love" is a mix of old timeless classics, love songs and two original compositions, definitely Simone Kopmajer's most romantic album in her incredible career on which she is again proving her different facets as a musician and vocalist. String arrangements played by Grammy Winning NY string quartet. Another highlight are the guest appearances of jazz legend Sheila Jordan and John Di Martino.

"Sinnerman" is an American traditional spiritual song that has been recorded by a number of performers.

Simone Drescher was born in Herdecke and was still studying with Gotthard Popp at the Robert Schumann Conservatory in Düsseldorf when she was awarded a scholarship by the Studienstiftung des deutschen Volkes (German Academic Scholarship Foundation).

From its inception with landmark works like Edgard Varèse’s Ionization (1929-31), Amadeo Roldán’s Ritmicas (1930), or John Cage’s First Construction (In Metal) (1939), the percussion ensemble has been associated with innovations in rhythm—with driving, pulsating, and complex explorations of the domain of time.

Jean-Sebastien Vallee is an internationally recognized conductor, scholar, and pedagogue.
Dr. Vallée is Associate Professor of Music, Director of Choral Studies, and Coordinator of the Ensembles & Conducting Area at the Schulich School of Music of McGill University.

Henderson has been described as «one of the great chord change players of jazz history», and this aspect of his playing, that had its roots in bebop and Sonny Rollins’ approach to improvisation, is very apparent in the repertoire of songs he chose to play that night, each piece with interesting chord changes beginning with Thelonious Monk’s Ask Me Now.

Henderson has been described as «one of the great chord change players of jazz history», and this aspect of his playing, that had its roots in bebop and Sonny Rollins’ approach to improvisation, is very apparent in the repertoire of songs he chose to play that night, each piece with interesting chord changes beginning with Thelonious Monk’s Ask Me Now.