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Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him – a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption.

Inspiral Carpets couldn't really sustain their vision over the course of an entire album, yet they made a number of infectious Madchester singles, which became fairly big hits in England. The Singles collects all of the group's U.K. hits, from the swirling, sunny "Joe" to "I Want You," a duet with the Fall's Mark E. Smith that had previously been unavailable on album. Over the course of 17 tracks, nearly every one of the band's great moments ("This Is How It Feels," "Dragging Me Down," "She Comes in the Fall," "Saturn 5," "Uniform") is featured, making Singles a definitive overview of the laid-back baggy band's career.

This volume summarizes recent developments in the topological and algebraic structures in fuzzy sets and may be rightly viewed as a continuation of the stan­ dardization of the mathematics of fuzzy sets established in the "Handbook", namely the Mathematics of Fuzzy Sets: Logic, Topology, and Measure Theory, Volume 3 of The Handbooks of Fuzzy Sets Series (Kluwer Academic Publish­ ers, 1999). Many of the topological chapters of the present work are not only based upon the foundations and notation for topology laid down in the Hand­ book, but also upon Handbook developments in convergence, uniform spaces, compactness, separation axioms, and canonical examples; and thus this work is, with respect to topology, a continuation of the standardization of the Hand­ book. At the same time, this work significantly complements the Handbook in regard to algebraic structures. Thus the present volume is an extension of the content and role of the Handbook as a reference work. On the other hand, this volume, even as the Handbook, is a culmination of mathematical developments motivated by the renowned International Sem­ inar on Fuzzy Set Theory, also known as the Linz Seminar, held annually in Linz, Austria. Much of the material of this volume is related to the Twenti­ eth Seminar held in February 1999, material for which the Seminar played a crucial and stimulating role, especially in providing feedback, connections, and the necessary screening of ideas.

Classic Rock: The Definitive Collection is a 4CD box set of some of the best classic rock songs ever recorded and released. Put together by Greatest Ever, this was released in 2015 featuring the original songs by the original artists.

At long last, Janelle Monae - the inimitable, award-winning, songwriter, performer, producer, CoverGirl and avant-garde funkstress - is back again, ready to release her another full-length “emotion picture” to the masses. But as always, Janelle is not ready to talk about music just yet. She’d rather talk about her past and how those fertile powerful experiences forced her to create her album "The Electric Lady".

Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels.