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Can't Buy a Thrill became an unexpected hit, and as a response, Donald Fagen became the group's full-time lead vocalist, and he and Walter Becker acted like Steely Dan was a rock & roll band for the group's second album, Countdown to Ecstasy…

Once he became a superstar, Rod Stewart essentially gave up on songwriting because, let's face it, it's easier to play endless football and cavort with models. Every once in a while his muse returned, so he tried a little bit harder, such as in 1988 when he spun Bob Dylan's "Forever Young" into a song of his own, which wound up as the last hit single of his that he ever wrote…

Limited Edition Numbered Box Sets 2 180 gram LPs in Stereo and Mono with restored original album art 2 SACDs in Stereo and Mono housed in custom 12" sleeve 7" single of "Honky Tonk Women"/ "You Can't Always Get What You Want" in Mono with original picture sleeve 80 page hardcover book with essay by David Fricke and never before seen photos by Ethan Russell Three 12"x12" hand-numbered, replica-signed lithographs printed on embossed archival paper, housed in foil-stamped envelope…

Throughout his career, Rod Stewart has been remarkably skillful at adopting current musical trends, whether it was disco, new wave, adult contemporary, or even Brit-pop. Still, his records started to slip off the radar screen toward the end of the '90s, so he parted ways with Warner Bros. and signed to Atlantic, where he released Human in early 2001…

Led Zeppelin had a fully formed, distinctive sound from the outset, as their eponymous debut illustrates. Taking the heavy, distorted electric blues of Jimi Hendrix, Jeff Beck, and Cream to an extreme, Zeppelin created a majestic, powerful brand of guitar rock constructed around simple, memorable riffs and lumbering rhythms. But the key to the group's attack was subtlety: it wasn't just an onslaught of guitar noise, it was shaded and textured, filled with alternating dynamics and tempos. As Led Zeppelin proves, the group was capable of such multi-layered music from the start…

"Never underestimate the heart of a champion" may as well have been the unspoken moral behind Kreator's astounding return to form via 2001's Violent Revolution, following over a decade of "wilderness study" in non-thrash terrain. As well as revitalizing the band's career the album clearly helped main man Mille Petrozza make peace with his past, and set the stage for his band's wisely retro-minded direction going forward into the new millennium. Cue 2005's Enemy of God: not only Kreator's next shot at revitalizing old-school thrash metal for modern generations, but a necessary building block to sustaining their unexpected renaissance…

Following the bleak But Seriously and Both Sides, Phil Collins delivered the considerably lighter Dance into the Light, his first upbeat pop album since 1985's No Jacket Required. Not only was it a return to the musical style that brought him to the top of the charts during the '80s, but Dance into the Light was the first record Collins released since leaving Genesis, which made it all the more crucial to his career…