Hubert Laws Rite

Ron Carter – Blues Farm (1973) (Epic-CTI Recordings)  Music

Posted by janwal46 at Sept. 2, 2009
Ron Carter – Blues Farm (1973) (Epic-CTI Recordings)

Ron Carter – Blues Farm (1973) (Epic-CTI Recordings)
1973 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi) | 169Mb+12Mb

In 1968, having completed a five-year stint with Miles Davis, Ron Carter's career was wide open. Finding himself in typically high demand, the bassist decided not to make any long-term commitments (though he continued to join individual recording dates), opting instead to develop his solo career. In 1971, he released Uptown Conversation (Atlantic). Shortly after, he signed to the CTI label, releasing Blues Farm in 1973. The bass is rarely found in such a prominent role, its melodic qualities typically being subordinate to rhythmic ones. The presence of a pianist, guitarist, and two percussionists on Blues Farm frees Carter to explore both realms. Working with Davis was obviously a valuable experience. On numbers like "Footprints" (from Miles Smiles, 1965), Carter was required to extend and compress time, a technique that is second nature to him on Blues Farm. Dense, dexterous runs are broken up by long, bending lines and shades of blues phrasing, all executed with absolute grace. His playing becomes slightly imposing on "Django." While it's great to hear him lead the group on a tour through the song's shifting rhythms, the accompanists aren't allowed much space. Carter's playing is best when more deeply integrated. On the title track, he engages in a wonderful exchange with flutist Hubert Laws, with the two swapping solos back and forth. On "Hymn for Him," his probing lines enrich the song, pushing its narrative forward. The best comes last as the group rides "R2, M1" to the album's conclusion. The song subsists largely on the group's energy (the most they display outwardly on the album) and Carter's deep, repetitious groove. Unfortunately, great musicianship does not always make for compelling results. Blues Farm's excursions are enjoyable, but somewhat reserved. Both the compositions and performances avoid strong emotions in favor of pleasing palettes of color and texture. The early-'70s production values only enhance this by softening the bed of musical tones. The resulting polish tranquilizes the sound and ultimately dates the album.
CTI All Stars - California Concert (Live At The Hollywood Palladium) (1971) (Repost By Request)

CTI All Stars - California Concert (Live At The Hollywood Palladium) (1971) (Repost By Request)
Epic-CTI | 1971 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi) | 374Mb+11Mb

For a concert held at the Hollywood Palladium in 1971, Creed Taylor gathered together most of his top stars and demonstrated why CTI was one of the most significant labels of the era. On lenghthy renditions of "Fire and Rain," "Red Clay," "Sugar," and "Blues West" the all-star lineup (trumpeter Freddie Hubbard, tenor-saxophonist Stanley Turrentine, altoist Hank Crawford, flutist Hubert Laws, guitarist George Benson, keyboardist Johnny Hammond, bassist Ron Carter, drummer Billy Cobham and percussionist Airto) is in inspired form, particularly Hubbard and Turrentine. This wonderful music belongs in every serious jazz collection.

Quincy Jones - Gula Matari (1970)  Music

Posted by intothe at June 27, 2009
Quincy Jones - Gula Matari (1970)

Quincy Jones - Gula Matari (1970)
Jazz | EAC rip (FLAC+CUE+LOG) | 220 MB | full scans
A&M Records | 34:21 | RAR with 5% recovery

Bob James - Touchdown (1978) {KOC 9931}  Music

Posted by tiburon at Sept. 19, 2010
Bob James - Touchdown (1978) {KOC 9931}

Bob James - Touchdown (1978) {KOC 9931}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3u | Full Scans 600dpi | 199 MB + 5% Recovery
Genre: Smooth Jazz

Playing uninspired background "Muzak" had brought Bob James commercial success, and financially, he certainly had no incentive to change. Despite employing such talent as David Sanborn (alto sax), Hubert Laws (flute), Ron Carter (bass), and Idris Muhammad (drums), Touchdown is a bland throwaway. Overproduction is the rule here, and their talents are largely smothered by James' excessive production and trite arrangements. This CD does contain James' likeable "Angela (Theme from Taxi)," but most of the songs on Touchdown are pure schlock.

Earl Klugh - The Spice Of Life (2008) {Koch}  Music

Posted by tiburon at March 2, 2018
Earl Klugh - The Spice Of Life (2008) {Koch}

Earl Klugh - The Spice Of Life (2008) {Koch}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3u | Full Scans 300dpi | 344MB + 5% Recovery
MP3 CBR 320 Kbps | 144MB + 5% Recovery
Genre: Smooth Jazz

Grammy Award-winning acoustic guitarist Earl Klugh is releasing a new ensemble recording, The Spice of Life, April 29th, on Koch Records. The album is being described as Klugh's “first full-production release in nine years,” and is the follow-up to 2005’s Naked Guitar, which brought Klugh his eleventh career Grammy nomination. On the album, Klugh reinterprets four of his favorite standards and longtime collaborator Don Sebesky contributes five orchestral arrangements, including Klugh’s boyhood favorite “Canadian Sunset”; his reinterpretation of the Thelonious Monk classic, “Bye Ya”; and a revival of “C’est Si Bon.” Flutist Hubert Laws guests, and composer Eddie Horst arranges the chamber-group string accompaniment on the Klugh original “Heart of My Life.” The Spice of Life also features several Klugh originals. The project is said to incorporate all of the veteran instrumentalist's musical influences, from pop and soul to jazz and gospel, as well as different musical settings.

Grover Washington,Jr. - Soul Box (1973) {Verve}  Music

Posted by tiburon at Oct. 3, 2010
Grover Washington,Jr. - Soul Box (1973) {Verve}

Grover Washington,Jr. - Soul Box (1973) {Verve}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3u | Full Scans 300dpi | 404MB + 5% Recovery
Genre: Smooth Jazz

Originally released as a two-record set in 1973, Soul Box has in the past been issued as two separate volumes, both on vinyl and compact discs, although the CD versions were available for only the shortest of time. To this date, this set has never been reissued in its entirety and in a fashion that recalls the original packaging and graphics. It’s a sad state of affairs for what is Washington’s finest moment in the spotlight. With arrangements by Bob James, the saxophonist covers a diverse set of numbers including standards, pop ditties, and original material. In typical Creed Taylor fashion, the supporting cast is nothing short of top shelf, with Richard Tee, Ron Carter, Billy Cobham, Eric Gale, Hubert Laws, and Airto being just a few of the names on the roster.

Ron Carter - Blues Farm (Japan Edition) (1973/1996)  Music

Posted by Domestos at June 19, 2019
Ron Carter - Blues Farm (Japan Edition) (1973/1996)

Ron Carter - Blues Farm (Japan Edition) (1973/1996)
XLD Rip | FLAC (tracks+.cue, log) ~ 191.83 Mb | 36:36 | Cover
Hard Bop, Post-Bop | Label: CTI Records/King Record - KICJ 9024

In 1968, having completed a five-year stint with Miles Davis, Ron Carter's career was wide open. Finding himself in typically high demand, the bassist decided not to make any long-term commitments (though he continued to join individual recording dates), opting instead to develop his solo career. In 1971, he released Uptown Conversation (Atlantic). Shortly after, he signed to the CTI label, releasing Blues Farm in 1973. The bass is rarely found in such a prominent role, its melodic qualities typically being subordinate to rhythmic ones. The presence of a pianist, guitarist, and two percussionists on Blues Farm frees Carter to explore both realms.

Ed Motta - Perpetual Gateways (2016) {Must Have Jazz}  Music

Posted by tiburon at June 29, 2019
Ed Motta - Perpetual Gateways (2016) {Must Have Jazz}

Ed Motta - Perpetual Gateways (2016) {Must Have Jazz}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 444MB + 5% Recovery
MP3 CBR 320 Kbps | 113MB + 5% Recovery
Genre: Vocal Jazz, Soul

This studio album by the Brazilian superstar singer, songwriter, instrumentalist and bon vivant Ed Motta is produced by Kemau Kenyatta (Gregory Porter). His epic production features an all-star cast of West Coast musicians, including Patrice Rushen and Greg Phillinganes (keyboards), Hubert Laws (flute), Marvin 'Smitty' Smith (drums), Tony Dumas (bass) and Charles Owens (saxophone).
McCoy Tyner - Mosaic Select 25 [3CD Set] (2007) {Mosaic Records}

McCoy Tyner - Mosaic Select 25 [3CD Set] (2007) {Mosaic Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.29 Gb | MP3 @320 -> 500 Mb
Full Artwork @ 300 dpi (png) -> 94 Mb | 5% repair rar
© 2007 Mosaic Records / EMI / Blue Note | MS-025 / 0946-3-59023-2-7
Jazz / Post Bop / Modal Music / Piano

This set covers the last two years of McCoy Tyner's tenure with Blue Note, beginning with the pianist's Expansions, the first album on which his own identity as a leader-composer-pianist came ringing through. With Woody Shaw, Gary Bartz, Wayne Shorter, Ron Carter (on cello), Herbie Lewis and Freddie Waits, he fashioned a new sound, inspired by, but not mimicking his work with the John Coltrane Quartet. McCoy blended modality, Eastern music, African elements and spirituality into a music that was unmistakably his own.

Esther Phillips - Performance (1974) [2007, Japan]  Music

Posted by BlondStyle at July 4, 2019
Esther Phillips - Performance (1974) [2007, Japan]

Esther Phillips - Performance (1974) [2007, Japan]
R&B, Soul/Funk, Soul-Jazz | EAC Rip | FLAC, Tracks+CUE+LOG+Scans (JPEG) | 35:32 | 226,21 Mb
Label: King Record Co., Ltd. (Japan) | Cat.# KICJ 2215 | Released: 2007-03-07 (1974)

Originally released in 1974, "Performance" is the fourth of seven albums that vocalist Esther Phillips recorded for Kudu, an offshoot of Creed Taylor's CTI label. Arranged and conducted by Pee Wee Ellis with assistance from Eugene McDaniels and Taylor, the session assembles a celebrated choice of soul, fusion, and mainstream jazz musicians including, Bob James, Richard Tee, Hubert Laws, Bernard Purdie, Pepper Adams, and Michael Brecker. Highlights among the eight songs include the tack piano romp through Dr. John’s "Such a Night," the gospel-inspired "Living Alone (We're Going to Make It)," and funky readings of Isaac Hayes and David Porter’s “Can’t Trust Your Neighbor with Your Baby,” “Doing Our Thing,” and, surprisingly, Jerry Jeff Walker’s classic composition “Mr. Bojangles.” While Performance has been remastered and retains the original album art, there are no bonus tracks.