Hues Corporationj

Dathanna: Hues and Shades is the debut album from clarinetist Berginald Rash and harpist Fiona Gryson, offering late romantic and fin-de-siècle character pieces in a unique chamber setting. Created amidst the challenges of the pandemic, this album reflects a journey of resilience and artistic exploration. It began as a dream to celebrate blends of tonal textures and evolved into a testament of strength and endurance. The music is an intimate portrayal of tonal elements and musical expression, capturing subtle nuances, finger movements, and ambient sounds to create an atmosphere reminiscent of 19th-century salon concerts. Dathanna takes listeners on an emotional journey—a celebration of chamber music's vulnerability and subtle beauty. It marks not just a debut, but a deliberate exploration of timbre and tonal virtuosity within the unique combination of clarinet and harp. Rash and Gryson delve into intricate tonal hues, inviting audiences to appreciate the vibrancy and depth of these much loved compositions through a fresh and intimate lens.

Don't be afraid to mix colors and cables!

The Martian Deluxe Soundtrack is compiled of both 'Songs From The Martian' and 'The Martian: Original Motion Picture Score'. 'Songs From The Martian' is the companion Soundtrack to the film The Martian, the action adventure directed by Ridley Scott, starring Matt Damon in the lead role as Astronaut Mark Watney. The '70s-laden album is comprised of some of the greatest classics from disco's golden era (tracklist below) including "Turn The Beat Around" (Vickie Sue Robinson), "Hot Stuff" (Donna Summer), "Rock The Boat" (Hues Corporation), "Waterloo" (ABBA), and "I Will Survive"(Gloria Gaynor), and others. 'The Martian: Original Motion Picture Score' is composed by Harry Gregson-Williams (The Shrek Franchise, X- Men Origins, Man On Fire, The Chronicles Of Narnia). Gregson-Williams also previously scored director Ridley Scott's 2005 movie 'Kingdom Of Heaven.'

Dathanna: Hues and Shades is the debut album from clarinetist Berginald Rash and harpist Fiona Gryson, offering late romantic and fin-de-siècle character pieces in a unique chamber setting. Created amidst the challenges of the pandemic, this album reflects a journey of resilience and artistic exploration. It began as a dream to celebrate blends of tonal textures and evolved into a testament of strength and endurance. The music is an intimate portrayal of tonal elements and musical expression, capturing subtle nuances, finger movements, and ambient sounds to create an atmosphere reminiscent of 19th-century salon concerts. Dathanna takes listeners on an emotional journey—a celebration of chamber music's vulnerability and subtle beauty. It marks not just a debut, but a deliberate exploration of timbre and tonal virtuosity within the unique combination of clarinet and harp. Rash and Gryson delve into intricate tonal hues, inviting audiences to appreciate the vibrancy and depth of these much loved compositions through a fresh and intimate lens.

What do you get when a Puerto Rican-American oboist falls in love with the music of a French oboist-composer? The answer is OBOE IN HUES, on which accomplished oboe virtuoso Nermis Mieses champions rarely-heard compositions for solo oboe by Gilles Silvestrini with astounding empathy and bravado.

“The life I love is makin’ music with my friends,” are words from the Willie Nelson classic that, for journeyman guitarist David Lumsden, has been his axiom since he was in Junior High performing in garage and basement bands. The former lead guitarist for the acclaimed blues woman Hurricane Ruth (2011-17) steps up as a leader on his new album “Hues Of Blues.” Lumsden gathered together several of his dearest friends including Mary Jo Curry, Bill Evans, Steve “The Harp” Mehlberg and Wayne Carter for 12 new tracks that span the breadth of his influences and showcase his hard-won skills on the fretboard.

Vinyl stacks and loose, bumping tracks. BURNT HUES delivers the sample-heavy aesthetic that has defined the prolific, cult sound of West Coast crate-digging hip hop from the early 2000s until today. Dig through crisp cuts of strings, horns, electric keys, live bass, and guitar licks, including chops from original cuts. Keep things loose with organic percussion, or blend harder-hitting kits with old-school synths for a fusion-fuelled collage of funk, soul, and pop flavor sampled and processed through original analog gear.