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Sam Rivers is going on 80, and is finally getting some long overdue public recognition for what his fellow musicians have always known – he is a master of his craft. These trio recordings from 1973 are Rivers at his finest, as he moves from tenor to soprano sax, piano, and wordless vocals.

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NOW Music are thrilled to announce the ultimate feel-good album of the year: NOW That’s What I Call A Massive 70s Party – Out 22nd November! Kicking off this celebration of 70s party anthems is Queen's timeless ‘Crazy Little Thing Called Love’, before continuing with the unforgettable sing-along classic ‘Sweet Caroline’ from Neil Diamond and the glam smash ‘Crocodile Rock’ from Elton John. Next comes familiar party favourites: ‘Y.M.C.A.’ from Village People, Donna Summer’s ‘Hot Stuff’ and Hot Chocolate’s ‘You Sexy Thing’, before moving on to the empowering massive #1 ‘I Will Survive’ by Gloria Gaynor and the anthemic ‘I'm Every Woman’ from Chaka Khan. The dancefloor keeps buzzing with ‘Le Freak’ from Chic, Boney M.'s ‘Sunny’, and the global best-seller ‘Yes Sir, I Can Boogie’ from Baccara. The floor-filling magic of ‘Disco Inferno’ from The Trammps, ahead of party staple ‘I'm In The Mood For Dancing’ from The Nolans, leads the first disc to a close with country gold ‘The Devil Went Down To Georgia’, and a huge hit from the end of 1979 for Fidler’s Dram, ‘Daytrip To Bangor (Didn’t We Have A Lovely Time)’

The Martian Deluxe Soundtrack is compiled of both 'Songs From The Martian' and 'The Martian: Original Motion Picture Score'. 'Songs From The Martian' is the companion Soundtrack to the film The Martian, the action adventure directed by Ridley Scott, starring Matt Damon in the lead role as Astronaut Mark Watney. The '70s-laden album is comprised of some of the greatest classics from disco's golden era (tracklist below) including "Turn The Beat Around" (Vickie Sue Robinson), "Hot Stuff" (Donna Summer), "Rock The Boat" (Hues Corporation), "Waterloo" (ABBA), and "I Will Survive"(Gloria Gaynor), and others. 'The Martian: Original Motion Picture Score' is composed by Harry Gregson-Williams (The Shrek Franchise, X- Men Origins, Man On Fire, The Chronicles Of Narnia). Gregson-Williams also previously scored director Ridley Scott's 2005 movie 'Kingdom Of Heaven.'

Bram Stoker's Dracula is meticulously and faithfully transferred to the medium of comic books by the storytelling team of Leah Moore and John Reppion, with stunning, painted artwork by Colton Worley and detailed lettering by Simon Bowland, published by Dynamite Entertainment. The result is a gorgeous adaptation and presentation of the original novel: lush, textured brushstrokes; startling transition from the dark, dreary, somber hues of Transylvania through the stark contrasts of a frightful sea voyage to the vivid hues of the daylight Victorian-era English countryside. Bram Stoker wrote his novel as a collection of excerpts from personal diaries, journals, telegraph messages and letters, written by different characters, revealing the story from these characters' viewpoints. portrays these changes in narrative voice by showing these messages neatly typed on telegraph paper with varying typefaces, or handwritten in letters or personal diaries, by different hands. Such approach and attention to detail have drawn praises and rave reviews from everyone.