i am Cuba\

It was a musical cocktail born in a marketing meeting: Two parts easy listening, one part jazz, a healthy dollop of conga drums, a sprinkling of bird calls, and a pinch of textless choir. Serve garnished with an alluring woman on the album jacket for best results. Liberty Records co-founder Si Waronker called it Exotica; the soundtrack for a mythical air conditioned Eden, packaged for mid-century, tiki torch-wielding armchair safariers. In the five years after Exotica—Martin Denny’s 1957 landmark Liberty debut—arrived, hundreds of other ethnographic forgeries washed up in record racks all over the U.S., bearing titles like Sophisticated Savage, Sacred Idol, Chant of the Jungle, Polynesian Paradise, Exotic Paradise, Taboo, Primitiva, Forbidden Island, Afrodesia, Hypnotique, Percussion Exotique, and a barrel’s worth of other portmanteaus. “All of those ica and itiva endings I came up with because I thought I was being cute,” Waronker said. “And I don’t know why, but nobody got wise.”

Sahrawi singer-songwriter activist Aziza Brahim’s fifth album Mawja (Wave in Hassaniya Arabic) is fashioned from a simple but powerful foundational palette: Saharan and Iberian percussion entwining with stately guitars and warm, enveloping bass.

Four years after the tragic death of their children in a car accident, Dr. Chris Nielsen (Robin Williams) is estranged from his wife, Annie (Annabella Sciorra), a painter who finds solace in deep and mystical expressionist landscapes. When flustered Annie calls him for support, he rushes out to help and is killed in a road accident. His ghost is greeted by an old mentor, Albert (Cuba Gooding Jr.), who leads him in Ghost-of-Christmas-Past-style to Annie's side. But when Chris realizes that his adherence to the corporeal world is torture to himself and the living Annie, he breaks free of his Earthly bonds and dives into the visual smorgasbord that is the afterlife….

The first Black female CEO of a Fortune 500 company looks back at her life and her career at Xerox, sharing unique insights on American business and corporate life, the workers she has always valued, racial and economic justice, how greed is threatening democracy, and the obstacles she's conquered being Black and a woman.

by Maria Carla Chicuen (Author)