i Rubacchiotti

To welcome the spring, British ensemble I Fagiolini puts aside it's beloved Monteverdi to uncover it's own national heritage: the best of John Wilbye's classic Golden Age madrigals. Whilst his oeuvre may have been small (just 75 works that we know of and most just a couple of minutes long), time and again, in these exquisite cameos, Wilbye delivers what might be reckoned the ultimate madrigal experience. The plangent dissonance of 'Draw on, sweet night' and 'Weep, weep, mine eyes' perfectly evoke English melancholy, while 'Sweet honey-sucking bees' and 'Adieu, sweet Amaryllis' are such sheer pleasure to sing that many listeners will scrabble to unearth old scores. This album is, in a nutshell, 75 minutes of madrigalian bliss! Rediscover or enjoy anew this central part of English choral culture, strangely out of fashion for so long, sung by a group that has matured into the repertoire like a good wine.

This collection documents the late Prince Far I's (aka Michael Williams) final period with the Trojan label. These are frequently referred to as his best years, despite the fact that Psalms for I and Under Heavy Manners are graded as his finest albums. But it comes down to track-for-track, the dub 12" singles, and the sound system tracks that he cut with one of the greatest bands in the history of reggae, the Arabs – mainly made up of the Roots Radics band with cats like Flabba Holt, Style Scott, Chinna Smith, and Bingy Bunny. Prince Far I's Cry Tough Dub Encounter albums are well known for their visionary quality and stridently spaced out effects. Far I was his own producer from 1977 on, and he did a better job than anybody who had worked with him previously, whether it be Adrian Sherwood, Joe Gibbs, or Bunny Lee. With the exception of the first cut on this two-disc set, "Heavy Manners" produced by Joe Gibbs, the Prince was at the helm for everything else here. Of the 40 selections, four complete albums are represented, and a few singles.