A fantastic recording of a live concert conducted by Carlos Chávez in May 1940 at the Museum of Modern Art in New York. The program representis an important period in Mexican history, and ranges from a special arrangement of music for Aztec instruments of the 16th century to the popular Huapangos, the gay love songs of the Mariachi and the traditional Yaqui music.
U.S. Cinematic outfit Whatitdo Archive Group returns to explore the worlds of Mid-Century Exotica and Library Music with “Palace of a Thousand Sounds,” out on May 5th.
While Ebo Taylor's name is not familiar to most as one of the pioneers of Afro-beat, it should be. Taylor, the Ghanian composer, arranger, guitarist, and vocalist has been making music since the 1950s, and studied with Fela Kuti at the Eric Guilder School of Music in London from 1962 until 1965. Rather than go the solo path, he opted instead for Accra's studio scene, where he appeared on dozens of singles and albums . He cut a self-titled solo album in 1977 on the local label Essiebons. Tracks from it, another album entitled Conflict, and various singles have appeared in recent years on various European compilations. The Strut imprint, not content to let Taylor's name languish in obscurity, put its money where its mouth was, and paired him with the Afrobeat Academy of Berlin, which includes guitarist J. Whitefield of the Whitefield Brothers and various guests from Europe and Africa.
The style of the Czech composer Bohuslav Martinů was enriched by numerous influences which are reflected in The Greek Passion; magnificent choirs contrast vividly with intimate chamber music, and folkloristic elements are placed next to complex, classically worked-out orchestral movements. A highly emotional mixture of oratorio and dramatic opera takes the listener into a world in which catastrophes abound. Lorenzo Fioroni, who has directed operas in Nuremberg, Augsburg and Heidelberg, has produced this dramatic contest against fear in Graz.
"American Epic" compilation series is a collection of releases of music associated with the film series "The American Epic", a historical documentaries are a journey back in time to the "Big Bang" of modern popular music. In the 1920s, as radio took over the pop music business, record companies were forced to leave their studios in major cities in search of new styles and markets. Ranging the mountains, prairies, rural villages, and urban ghettos of America, they discovered a wealth of unexpected talent. The recordings they made of all the ethnic groups of America democratized the nation and gave a voice to everyone. Country singers in the Appalachians, Blues guitarists in the Mississippi Delta, Gospel preachers across the south, Cajun fiddlers in Louisiana, Tejano groups from the Texas Mexico border, Native American drummers in Arizona, and Hawaiian musicians were all recorded. For the first time, a woman picking cotton in Mississippi, a coalminer in Virginia or a tobacco farmer in Tennessee could have their thoughts and feelings heard on records played in living rooms across the country. It was the first time America heard itself.