Musician and writer Karl Bartos has long been admirer of Weimar-era culture. During his time in Kraftwerk, he helped create the stunning track 'Metropolis', directly inspired by a band viewing of the classic 1927 Fritz Lang film of the same name. The original orchestral music composed for The Cabinet of Dr. Caligari by Giuseppe Becce had long been lost and in 2005, after watching the film, Bartos imagined what it would be like to create an entirely new one in the 21st Century in his home studios in Hamburg. Now with crystal clear images, digitally restored by the Friedrich-Wilhelm-Murnau-Foundation, the film is visually the best quality it has ever been, and now, with Bartos' soundtrack, there is impressive sound to go with the haunting vision.
"Make It Big" is the second studio album from British pop duo Wham!, released in 1984. It was mostly recorded at Studio Miraval in Southern France to escape the press and enable George Michael to work peacefully and mixed at Good Earth Studios in London and Marcadet Studios in Paris. In comparison to their earlier work, the duo had more control over the album's production, as George Michael became the sole credited producer, a position he would subsequently hold on all future releases until the group split in 1986.
Producer Bob Belden has turned reinventing the music of Miles Davis into a cottage industry, taking Davis to India for 2008’s Miles from India, and more recently Belden has given us Asiento, which re-imagined Bitches Brew as a slice of electronica. Now he gives us Miles Español, which finds Belden pairing veterans of Davis' various bands with musicians from Spain, Morocco, and Latin America on classic tracks from Davis' Sketches of Spain and Kind of Blue albums. Hearing Davis compositions with oud, bassoon, accordion, and bongos is certainly exotic and interesting, but one longs for the elegant, stately grace of the original albums.
With the exception of Questions (composed about 10 years ago), these compositions were written for Patricia and Tomeka. As I composed, I had the sound and personalities of these two friends in my mind, and imagined a myriad of sonic possibilities for the unique instrumentation of vibraphone, cello and drums. As I wrote, I put soundtracks to the images in my head, the stories of my life, both real and imagined.
Stanford’s eight-part Latin Magnificat was posthumously dedicated to Parry, whose own Songs of farewell are unmistakably valedictory in mood. Personal as well as musical associations run deep in this poignantly expressive programme from Westminster Abbey Choir.
The 2016 studio release from Steve Jansen. The second solo album release from Steve Jansen. 6 panel digipak with photography and artwork by Carl Glover. Featuring guest appearances by Thomas Feiner, Perry Blake, Nicola Hitchcock, Tim Elsenburg (Sweet Billy Pilgrim) and others.
“To Quince, "Motherland" means our natal home, worthy of love, critique, and support. It represents the terrain of those who identify as women, as mothers of varying types - creators and producers and life-givers and life-sacrificers. Mother-land is both embodiment and inversion of Emily Dickinson’s “Nature, the gentlest mother” - capable of supporting all life, and of obliterating it with forces as simple as a breath of air. This album features never-before-heard recordings of pieces by Laura Steenberge, Gilda Lyons, Cara Haxo, and Jennifer Jolley. As long as we have breath left in us, we will sing our gratitude, our love, our frustration, and our hopes. There is no greater privilege.” – from the liner notes by Quince Ensemble.
Frontiers Records is proud to present “20 Years”, a best of collection assembling the works of Mecca, the classic AOR band started by vocalist Joe Vana. When he was only 13 years old, Joe Vana’s life was forever changed through a chance meeting with Survivor’s Jim Peterik. Jim taught him everything he knew about music and the music business. But, it wasn’t until he was 28 years old that he discovered his voice, which is when he became Peterik’s in-house demo singer for many years. Joe and Jim eventually created a band called Project Voyager, which ultimately morphed into Mecca. In 2002, Mecca released their debut self-titled album, which featured David Hungate (ex-Toto) on bass, Shannon Forrest on drums, Fergie Frederiksen (ex-Toto) and Joe on vocals, Mike Aquino on guitars and Jimmy Nichols on keyboards. “Mecca” created a sonic treasure that was more than well-received by the Melodic Rock/AOR community.