All good things must come to an end, and if we are to hold this understanding as true then there is no reason not to ensure that the finale is massive, glorious and affirming. Such is the scenario we find with UK legends Her Name Is Calla as we witness their final musical statement, the diverse and persistently riveting double album Animal Choir. This is one of those rare and exciting albums that feels like art clicking on all cylinders; no rules, no boundaries, nothing holding the performers back from doing exactly what is in their hearts, watching as every stroke lands just right on the canvas.
Bryan Lee could be called one of the last of the old-school blues guitarists. Born in 1943, Lee grew up to the sounds of the same seminal blues guitar idols (Albert King, Elmore James, etc.) that influenced scores of British and American blues and rock players. Based in New Orleans, Lee fortifies his approach to electric blues with aspects of Louisiana musical culture, both pop and blues. KATRINA is a tribute to that hard-hit metropolis, consisting of well-crafted originals (the emotion-laden title song) and choice covers (the oldie "Barefootin,'" the anthemic "Nobody's Business"). To put the icing on the cake, KATRINA is produced by contemporary blues ace Duke Robillard (no slouch himself on the guitar), who also contributes some fine acoustic six-string sounds.