A highly versatile musician, Ulf Wallin has recorded a succession of discs for BIS, including music by Schoenberg, Schnittke, Janacek and Hindemith. Lately he has focussed on Romantic composers, resulting in an acclaimed recording of Schumann's complete works for violin and orchestra (Daily Telegraph: 'It's hard to imagine more sympathetic and insightful performances of these wonderful pieces'). Supported by the eminent Deutsches Symphonie-Orchester Berlin conducted by Okko Kamu, Wallin now offers a programme spanning some 30 years of the long career of Max Bruch.
The choir which David Trendell directed for twenty-two years pays tribute in a collection of specially chosen pieces by Davids colleagues, friends and former students, interspersed with the Renaissance polyphony which was Trendells area of scholarly expertise. His deep love for the Song of Songs has inspired many of the inclusions, and its nature imagery threads through the disc, adding a suggestion of renewal and rebirth to the memorial tone of works written in the difficult months after his untimely death.
We possess many works by Jean Richafort, but very little biographical information on the composer. In the 16th century he was the object of veneration and admiration. The great Ronsard himself spoke of him in the most enthusiastic terms, and most of his contemporaries - Mouton, Morales, Gombert, Palestrina - based Masses on his music.
Remembering, written in memory of Evan Scofield, is Mark-Anthony Turnage’s response to the young man’s premature death from cancer in 2013, at the age of 26. Turnage knew Evan as the son of family friends, the jazz guitarist John Scofield and his wife Susan, and the sister of Jeannie, the partner of Ursula. A boy whose quirky but deep rooted enthusiasms – for cinema, axes, hyacinths, friends – reflected a readiness to take on life in all its fullness, a young man whose ways of seeing seemed so good, so full of promise and possibility. Such early deaths strike us less like personal tragedies and more like cosmic catastrophes. What kind of a world is it that allows such things to happen?