In the early 70's, jazz pianist and composer Hiromasa 'Colgen' Suzuki and his self-titled trio (with Kunimitsu Inaba on bass and Hideo Sekine on drums) started working on a project of musicians which should have made a lengthy series of concept albums mixing jazz rock and world music called Rock Joint. Musicians that worked around this albums were more of jazz background and some of the musicians stayed in the line-up of both albums released as Rock Joint projects even though the style of music was slightly different; first 'Rock Joint Biwa' was centered around the japanese instrument biwa, giving a fresh feel to album's early jazz influenced psychedelic rock (conceptually inspired by mythology in the ancient book Furukotofumi), while the second one 'Rock Joint Cither' was oriented around sitar and Indian music (cither being a mistranslation of sitar)…
Indian masters connect jazz, classics and national melodies. This is fusion.
On the face of it, this live double-album is an expert genuflection to jazz-rock fusion, with five guitarists and a crop of punchy drummers (including Return to Forever's Lenny White and percussion virtuoso Zakir Hussain) to confirm it. But the playing of the seven bands is anything but predictable. The members sit in with each other here, and their embrace of risk and the pleasure they take in spontaneous performance are palpable. John McLaughlin and the 4th Dimension have Hussain sit in for usual drummer Ranjit Barot in two fiercely vivacious pieces, including an infectious, choppy, 20-minute Hussein showcase, Mother Tongues. Barot leads a violin-dominated Indian-inflected sextet featuring the New York guitar maverick Wayne Krantz as a guest; Krantz also appears with an edgy avant-fusion trio. The chord-crunching, metal-inspired guitarist Alex Machacek opens proceedings with a fast-moving group extensively featuring electric bassist Neal Fountain.
This ear-opening CD was released at a Barbican Centre concert on 14 July 2000, reviewed by S&H. Navras Records has played an important part in making the Indian classical music idiom in all its wealth and complexity available for concentrated home listening. Music Without Boundaries addresses itself to an urban jet-setting age in which for very many people cultural interchanges are the norm on a daily basis. The Music Without Boundaries CD newly available came from a live recording of a concert in San Francisco in 1998, and features many of the players heard at The Barbican. It captures the excitement generated by an exhilarating and virtuosic cross-over concert in West-Coast USA.
First time reissue of this forgotten album of Don Cherry. This album was recorded in 1978 in Paris and released only in France in 1981. That was the first meeting between Don Cherry and Indian percussionist Latif Khan and the result is an incredible mixture of jazz and Indian music. This unsung album is only known by hardcore fans of Don cherry who considered it as one of his best effort.
The foremost virtuoso of the sarod in modern times, Ali Akbar Khan was instrumental in popularizing Indian classical music in the west. This Rough Guide showcases his sublime talent and intuitive command of melody and rhythm which led violin legend Yehudi Menuhin to dub him 'the greatest musician in the world'.