Interiores 2011 07 Pdf

New Orleans' Troy “Trombone Shorty” Andrews knows the music biz inside out. Hounded for years by friends and music business types to jump into the game, he understood the lessons of his lineage elders: too many had been been ripped off and discarded. He took his time, assembling, rehearsing, and touring Orleans Avenue, a band steeped in brass band history, jazz improv, funk, soul, rock, and hip hop. He finally signed to Verve Forecast and released Backatown in April of 2010. Entering at number one on the jazz charts, it stayed there for nine straight weeks, and was in the Top Ten for over six months. For True hits while Backatown is climbing again. Chock-full of cameos it is an extension, but sonically different. It's production is crisper, but the musical diversity more pushes further. In addition to trombone, Shorty plays trumpet, organ, piano, drums, synths, and, of course, sings…

A lounge electronica compilation series by french DJ Stéphane Pompougnac.
Hotel Costes is one of France's most famous hot spots, and regularly attracts stars of the film and fashion world. Pompougnac released his first CD in 1999, titled Café Costes. Pompougnac's second CD, Costes, La Suite, met with more success and the song "Sympatique" was used for a car ad in France sending record sales over 100,000. His first two albums were released in France through Barclay Universal; his increased success, however, saw a deal with MSI for his third compilation, Etage 3, released in October 2000. His first three compilations together sold nearly half a million copies.

If Leszek Możdżer is today regarded as the most important discovery in young Polish jazz and as one of the most exceptional pianists of the international scene, it is not least because of his pioneering style of crossing the border between classical music and jazz. He is the great romantic amongst Europe’s jazz pianists, having founded his reputation with improvisations on themes from Frédéric Chopin. Since then, his sparkling music and unrivalled technique clings to lyrical melodies, full of emotion. He also proves himself to be an exceptional improviser, paying close attention to chromaticism, harmony and particularly the "ornamentation" of the music.
Leszek Możdżer uses his solo ACT debut as an opportunity to pay homage to the second great national hero of Polish music (next to Chopin), Krzysztof Komeda…

From the very first note Rea and Boltro prove themselves to be excellent lyricists. The first piece of the album, Monteverdi’s "Lasciatemi morire", sounds like a soundtrack of a Sergio Leone film. On most of the pieces Boltro trumpet has a classical, pure sound, which occasionally resembles a Bach trumpet ("Sinfonia dal Barbiere di Siviglia" by Rossini). Rea presents himself as a pianist with highly virtuoso touch and outstanding subtlety.
Despite the respect for the opera classics that is evident throughout the entire album, there is also lots of space for musical innovation. Being two of the most creative improvisers of the scene, Rea and Boltro constantly come up with exciting rhythmic variations. Classical music and jazz merge into one another, without ever sounding contrived or unnatural…

Many of Chicago's blues clubs could be described as "blues and soul clubs" because that's exactly what they are. Although blues is the main focus of those West Side, South Side, and North Side venues, so many of the artists they book include a lot of R&B in their sets. One of those soul-minded bluesmen who lives in Chi-Town is Detroit native Quintus McCormick, whose Put It on Me is a perfect example of an album that has one foot in electric urban blues and the other in soul (specifically, old-school soul of the ‘60s and '70s variety). Actually, McCormick's résumé says a lot about his musical outlook; he has been a sideman for both James Cotton and Otis Clay, and that explains why he handles blues and soul equally well on this 2010 recording…