Edward the Great collects most of Iron Maiden's hits, including the punishing "Number of the Beast", the super-dramatic "Can I Play with Madness?" and their sole chart-topper "Bring Your Daughter to the Slaughter". Since their late-1970s rise as prime movers of the New Wave of British Heavy Metal, Iron Maiden have unleashed a ferocious pack of hit singles and million-selling albums. Their recipe was simple: They took their lyrics from bloody world mythology and classic gothic literature and backed them with a soaring, bulldozing twin-guitar assault driven on by main man Steve Harris' relentless bass. It was an approach that would influence countless rock bands, from Metallica to a string of Scandinavian death-merchants.
There may be no better place to hear how both punk and prog rock informed the New Wave of British Heavy Metal than Iron Maiden's self-titled debut. Often overlooked and overshadowed by the glorious Bruce Dickinson years, it's easy to forget that Iron Maiden was itself a game-changer when it appeared on the scene in 1980…
Documentary profiling the history of British heavy metal, with the emphasis on the godfathers of the genre, Iron Maiden, along with other bands of that ilk, including Samson, Saxon, Diamond Head and many others.
Seventh Son of a Seventh Son is the last great Iron Maiden album, reconnecting with the band's prog rock roots and reversing the signs of decline that had been evident on their previous record. By this point, Maiden had earned the respect of metalheads the world over with their steadfast adherence to unadulterated metal and their grandiose aesthetic…