Iron Man Animated 1966

The cruel King Louis XIV of France has a secret twin brother who he keeps imprisoned. Can the twin be substituted for the real king?

In the opening scene a lone man walks, behind him he drags a coffin. That man is Django. He rescues a woman from bandits and, later, arrives in a town ravaged by the same bandits. The scene for confrontation is set. But why does he drag that coffin everywhere and who, or what, is in it? Django is a drifter who drags a closed coffin around with him. He rescues a young woman, María, who is about to be murdered by bandits led by Major Jackson (Eduardo Fajardo), the man whom Django is seeking and wants to kill in revenge for him for killing his wife. After killing most of Jackson's men, Django makes a deal with a Mexican bandit general, Hugo Rodriguez, who is in conflict with Jackson, and the two steal a large quantity of gold from a Mexican Army fort (where Jackson is doing business with a government general).

Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco comes across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery…..

A Man for All Seasons stars Paul Scofield, triumphantly repeating his stage role as Sir Thomas More. The crux of the film is the staunchly Catholic More's refusal to acknowledge King Henry VIII (Robert Shaw)'s break from the church to divorce his first wife and marry Anne Boleyn (an unbilled Vanessa Redgrave). Sir Thomas willingly goes to the chopping block rather than sacrifice his ideals. Director Fred Zinnemann retains the play's verbosity without sacrificing the film's strong sense of visuals. The impeccably chosen cast includes Wendy Hiller as Sir Thomas' likably contentious wife Alice, John Hurt as the deceitful Richard Rich (More's put-downs of this despicable character provide some of the film's biggest laughs), Orson Welles as a dour Cardinal Woolsey, Leo McKern as the ambitious Thomas Cromwell, and Susannah York as More's daughter Margaret.

A schoolteacher (Miereveld or "field of ants") is entranced by one of his students (Fran). Not being able to have his love fulfilled he tries to escape it and moves house and job. Working for the justice department he is invited by the coroner to join a post mortem examination which leads to an encounter with his former student and the possibility to no longer escape his love.

The bizarre hallucinations of a heroin addict in withdrawal provide the basis for this unstructured, autobiographical film by director Conrad Rooks. It begins as he arrives in Paris for a sleep-cure. As the strange visions begin, the story jumps haphazardly between reality and his dream-world memories.

The story takes place in 16th century England. But men like Sir Thomas More, who love life yet have the moral fiber to lay down their lives for their principles, are found in every century. Concentrating on the last seven years of English chancellor's life, the struggle between More and his King, Henry VIII, hinges on Henry's determination to break with Rome so he can divorce his current wife and wed again, and good Catholic More's inability to go along with such heresy. More resigns as chancellor, hoping to be able to live out his life as a private citizen. But Henry will settle for nothing less than that the much respected More give public approval to his headstrong course.