It's a Breakup Not a Breakdown

Always Tomorrow is the culmination of the last ten years of Best Coast front person Bethany Cosentino's life, seeing her stand back from the past decade of the band's existence and taking stock in where she's been and who she has become. It's an album full of intense personal discovery amidst a whirlwind backdrop of global tours, heartbreak, newfound sobriety, dark thoughts, immense joy, giving a f, not giving too many fs, substances, boredom, public personas, and gratitude.

Pete Townshend was the guitarist and primary songwriter for the Who from 1964 to 1982, also participating in the group's occasional reunions after its formal breakup. Best-known for his conceptual works, he wrote Tommy and Quadrophenia for the band, as well as the bulk of its other material.
Pete Townshend was heading toward collapse as the '70s turned into the '80s. He had battled a number of personal demons throughout the '70s, but he started spiraling downward after Keith Moon's death, questioning more than ever why he did what he did (and this is a songwriter who always asked questions). Signs of that crept out on Face Dances, but he saved a full-blown exploration of his psyche for Empty Glass, his first solo album since Who Came First, a vanity project released to little notice around Who's Next..

The Jam's Setting Sons was originally planned as a concept album about three childhood friends who, upon meeting after some time apart, discover the different directions in which they've grown apart. Only about half of the songs ended up following the concept due to a rushed recording schedule, but where they do, Paul Weller vividly depicts British life, male relationships, and coming to terms with entry into adulthood…

2CD FM broadcast captures Tom Petty s complete 1993 homecoming concert, his first show in Gainesville, Florida for 20 years. This show was just prior to the release of his greatest hits album and while he was in the process of moving to a new label. The greatest hits album also included 2 new recently recorded songs ; 'Mary Jane's Last Dance' and a cover of Thunderclap Newman's 'Something in the Air', both of which are included in this show. And the show was broadcast on the radio nationwide, in superb FM quality. So, here is Tom Petty's triumphant, yet somewhat overdue, return to Gainesville. Although some of the circulating FM versions of the show are shortened substantially, this is the full show in all its glory.