Jérmy Frérot ça Déborde

The Pixies are associated with the 1990s alternative rock boom, and draw on elements including punk rock and surf rock. Their music is known for its dynamic "loud-quiet" shifts and song structures. Francis is the Pixies' primary songwriter; his often surreal lyrics cover offbeat subjects such as extraterrestrials, incest, and biblical violence. They achieved modest popularity in the US, but were more successful in Europe. Their jarring pop sound influenced acts such as Nirvana, Radiohead, the Smashing Pumpkins and Weezer. Their popularity grew in the years after their break-up, leading to sold-out world tours following their reunion in 2004.

Matthæus Pipelare (ca. 1450 – ca. 1515) - Paradise Regained - The Sound and the Fury (2014) {fra bernardo Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (qobuz.com) -> 822 Mb | MP3 @320 -> 324 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 2014 fra bernardo | fb 1309203
Classical / Renaissance / Polyphony / Sacred / Vocal / Masses

In short, Pipelare’s striking personality becomes apparent through hearing and analysing his masses rather than from the meagre details of his life. It is as if he redefines polyphonic composition with each work, rather than reverting to the tried and tested as say Jakob Obrecht did. There is nothing immediately recognisable, nothing that sounds even vaguely familiar, nothing can be categorised, rather everything sounds new, fresh, lively – wilfully individual!

Francesco da Milano - Intabolatura da Leuto (1530 ca) - Paul Beier, lute (1999) {Stradivarius STR11010 rel 2006}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 226 Mb | MP3 @320 -> 139 Mb
Full Artwork @ 600 dpi (jpg) -> 44 Mb | 5% repair rar
© 1999, 2006 Stradivarius | STR 11010 | Echo Series
Classical / Renaissance / Chamber Music / Lute

This book (entablature) of lute pieces was published about 1530 by Francesco da Milano (1497-1543), known in his day along with Michelangelo as "Il Divino." The foremost lutenist of the Italian Renaissance, he served three popes and two cardinals. His works were published throughout Europe. "Clear phrasing captured by Beier with exquisite taste and without ostentation." -Goldberg

Dave’s Picks Volume 29 is sourced from master reels taped by the great Betty Cantor-Jackson. The Grateful Dead opened the concert with the newly composed “Terrapin Station,” which would soon take up the entire second side of its namesake LP released later in July. In addition, the band fit the debut of the instant classic “Estimated Prophet” into their first show of 1977. Other highlights include a pretty “They Love Each Other,” impressive “Help On The Way” > “Slipknot!” > “Franklin’s Tower” and standout sequence of “Eyes Of The World” > “Dancin’ In The Streets.” Plus, Dave’s Picks Volume 29 will contain everything in the archives from the next night’s show in Santa Barbara, which is the tail end of the second “Terrapin Station” as well as “Morning Dew,” “Sugar Magnolia” and “Johnny B. Goode.”

Riley B. King, known professionally as B.B. King, was an American blues singer-songwriter, guitarist, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato and staccato picking that influenced many later blues electric guitar players.

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton