J'arrête le Sucre

This album is the second studio album of Garou after "Seul" (2000) and " Seul … Avec Vous " (concert, 2001). Garou united durying the work on this album musicians who already worked with him and the new ones. Garou confirmed his status of the french-canadian star of first size, which he has received after an output of the debut album that had become three times platinum in Europe and Canada. In new album you will find high quality music and excellent lyrics, however, style and mood of "Reviens" is absolutely different, even unpredictable. It reminds of those times when Garou sang in Quebek bars and its favourite reception was improvisation so even his musicians did not know, what song would be next in his performance. In this album it is impossible to guess, what the next song will be like, they are so different. This album is like Garou himself, unpredictable, willing to risk and break stereotypes. It includes a lot of fast and energetis songs ("Reviens", "Passe Ta Route"), beautiful romantic ballads ("L’aveu", "Ne Me Parlez Plus Delle"), rock songs ("Hemingway"), blues ("Une Derniere Fois Encore") and even сhanson("Les Filles")

Servir un vin rouge avec un steak, un vin blanc avec du poisson, du champagne à l’apéritif, un liquoreux avec du foie gras… d’accord, mais pourquoi ? Vous aimeriez comprendre comment fonctionnent les accords entre les vins et les mets, créer des associations inattendues, les partager avec vos proches.

'Shapes: In Space' is the latest in Tru Thoughts' series of essential label compilations put together by A&R and co-owner (and renowned DJ) Robert Luis. Encompassing the best of the Brighton based label's eclectic and international current roster, as well as some classic cuts and three exclusive tracks. As well as the sonic variety, this collection also highlights the diverse origins of the music on the label. From the UK, there are the soulful, forward-looking and beat-laden offerings of rising stars Werkha, Bryony Jarman-Pinto and Harleighblu, while from the USA there is Moonchild, Lost Midas, The Seshen and Space Captain. Repping the authentic New Orleans sound, Grammy-nominated Hot 8 Brass Band have continued to win more and more fans across the world since they first started working with Tru Thoughts a decade ago.

This Album Is A Curve Ball. Mr. G Is Showcasing Some Of His Deep And Sample Oriented Works On ''a Part Of Me Vol.2.'' A Touching Collection Of Tracks Taking The Listener Into The Depths Of The Uk Based Artist's Perception.

En 2023, Véronique Sanson est de retour au Palais des Sports pour trois soirs sold-out – elle qui avait été la première femme européenne à en fouler la scène (devancée de peu par Aretha Franklin). Si, entre temps, la salle a changé de nom (on l'appelle désormais Dôme de Paris), l’ardeur de Véronique à y mettre le feu et la chaleur du public demeurent intacts. Dans un show de plus de deux heures, entourée de ses fidèles musiciens, elle revisite plus de 20 titres de son répertoire avec générosité et surtout ce féroce appétit de faire vibrer toute une salle au son de sa voix reconnaissable entre toutes. La scène est sa raison de vivre et elle le prouve une nouvelle fois dans ce film qui restitue l’intégralité du concert. Projeté lors d’une séance unique dans plus de 280 salles de cinéma en septembre 2024, il a attiré plus de 20 000 spectateurs et est maintenant disponible en DVD. Le titre de la tournée, Hasta luego !, est celui d’une chanson co-écrite avec Vianney, et qu’ils interprètent en duo. À noter également la présence sur scène de Zaz, Natalie Dessay, et Chris Stills, seul au piano pour une de ses compositions. Un show émouvant et décoiffant, un concert de légende.

After the great success that Il Trovatore received in Paris, Verdi was proposed to compose a French version of the opera to suit the tastes of the local public. The original work, based on the Spanish play El trovador by Antonio García Gutiérrez, had a libretto by Cammarano, which was translated into French by Émilien Pacini . Le Trouvère was first staged in Brussels in 1856 and premiered at the Paris Opera in 1857. In this new version the composer added some music in act 3 for the gypsie ballet scene, extended the finale of act 4 and made several other revisions.