'Just One Mo' Time' is Jasmine's second volume of classic recordings by the Isley Brothers. The first release back in 2010 was 'You Make Me Want To Shout' (JASCD561) which contained 23 recordings from the very beginning of their career. This new set kicks off with the self-penned, 'Open Up Your Heart' and a bizarre, but fun, doo wop styled rendition of Victor Herbert's 'Gypsy Love Song' from his operetta 'The Fortune Teller'. The song is also well known via Mario Lanza.
I have a collection of 135 titles (142 CDs) issued by Goldmine/Soul Supply record company. This is not a box set but rather it is a collection of albums that are similar in that they all are rare soul compilations by the same company. There are some tracks that are on more than one album but considering the scope and magnitude of this collection, the number of duplicated tracks is small. Some CDs have good artwork, some have none, most have some artwork of varying quality. All are 320 CBR MP3 and are fully tagged. Original post now has added CDs.
Memphis has always been a studio town, where making hit records looked easy. An unknown Elvis could walk into Sun Studios and cut a side, while Willie Mitchell worked his magic around the corner at the Hi Records studio. This vast studio ecosystem meant that even when Stax Records folded in 1975, everybody still knew somebody who could get them into a real recording facility. The city’s largest player in the business was gone, but the possibilities that it introduced were not.
The album accompanies Questlove’s directorial debut documentary Summer of Soul (…Or, When the Revolution Could Not Be Televised). Like the documentary, most of the audio recordings that were recorded during the 1969 Harlem Cultural Festival have not been heard for over 50 years, keeping this incredible event in America’s history lost - until now. The Summer of Soul (…Or, When The Revolution Could Not Be Televised) Original Motion Picture Soundtrack is a joyous musical celebration and the rediscovery of a nearly erased historical event that celebrated Black culture, pride and unity. For the album, Questlove carefully selected 17 live renditions of jazz, blues, R&B, Latin, and soul classics performed over the course of The Harlem Cultural Festival in 1969 as chronicled by the film.