Jaime Gomez Obregon

Felony Blues is a nod to records like David Allan Coe's Penitentiary Blues and Johnny Cash's Live From Folsom Prison. The mostly autobiographical collection is chalk-full of stories of conjugal romance, prison songs, and honky-tonk laments. She got busted at a young age for robbing her drug dealer and took a plea deal for 8 months in jail, a felony strike, 6 months of treatment and 3 years felony probation. Sonically, imagine a twangier Fleetwood Mac, or if Linda Rondstadt and the Stones had made a record. Regardless of genre, Wyatt is all things classic and American; a dynamic performer, who sails naturally between vintage 60s and 70s country/rock 'n' soul anthems and heartfelt country ballads of love and corruption.

Jaime ROSAS is a Chilean keyboards player, who followed the same path as his British idols Keith EMERSON and Rick WAKEMAN. That is to say, a good dose of heavily twirling Progressive rock, full of Seventies-like sounds may be expected. After being the leader of a power-trio, he is back with three fellow musicians. The new guitarist Jaime SEPULVEDA suits perfectly the symphonic music of this ensemble, adding some exciting Progressive heavy-metal digressions. This outfit released the excellent "Creciendo" in 2005 through the Musea and Mylodon labels. In order to prove that Jaime ROSAS CUARTETO is not just another mere studio avatar, the band went to Rio ArtRock Festival 2005 with the aim to show how brilliant its live performance can be.

”The mystery of incarnation is the most beautiful aspect of divinity – and it is the reason why I am a Christian. I do not consider the differences between Orthodox, Protestant or Catholic: a Christian is someone who understands that God has come.”” (Olivier Messiaen). From the point of view of music history, Vingt Regards is a milestone of 20th century piano literature; spiritually it is an offering of Christmas “spiritual piano exercises” in 20 contemplations. Olivier Messiaen summarizes it as follows: “More than in any of my previous work I sought a language of mystical love that is multifaceted, powerful and tender; sometimes even terrifying. All with the greatest vividness possible.” Alfonso Gomez, one of the most eminent specialists for 20th and 21st century piano music, offers his new reading of this masterpiece by Olivier Messiaen.

Swedish composer Melcher Melchers (1882–1961) has been largely forgotten by music history. Melchers studied composition in Paris and his circle of friends included, among others, Matisse, Picasso, Modigliani, Guillaume Apollinaire, Erik Satie, and members of Les Six. Among the Nordic composers he had the biggest impact on the French music life but his aesthetics in music were quite conservative: d’Indy, Chausson and César Franck were his greatest influences. This album by the Gävle Symphony Orchestra and conductor Jaime Martín includes Melchers’ magnum opus, his finely crafted Symphony in D minor, Op. 19 together with world première recordings of two symphonic poems.

Recent scholarship on Luis Misón (Mataró, 1727–Madrid, 1766) demonstrates the growing interest among the musicological community in studying the life and work of one who is an essential composer in the history of Spanish music. Musical historiography has extolled Misón's contribution to the genre of the tonadilla escénica, a genre widely appreciated in his time and which must have had a notable influence on his instrumental music, about which less is known.

Morning Glory: The 1973 Concert at the Teatro Gran Rex, Buenos Aires is the first official release of pianist Bill Evans with Eddie Gomez and Marty Morell captured live at the Teatro Gran Rex in Buenos Aires, Argentina on June 24, 1973.

​In this album Clara Andrada, solo flutist of the Frankfurt Radio Symphony, performs three 20th century flute concertos together with the orchestra conducted by Jaime Martín. Malcolm Arnolds delightful Flute Concerto No. 1 makes a pleasant addition alongside Nielsens and Iberts flute concertos. Jaime Martín, himself an excellent flutist, is a perfect companion to these works. This is the orchestras second album for Ondine, and continues the fruitful collaboration between Jaime Martín and Ondine that has already produced three albums previously.

Legendary bassist EDDIE GOMEZ has been on the cutting edge of music for over four decades. The Latin GRAMMY® award-winner’s impressive resume includes performances with jazz giants such as Miles Davis, Dizzy Gillespie, Bill Evans, Gerry Mulligan and Benny Goodman. Eddie’s unique sound and style can be heard on hundreds of recordings spanning the worlds of jazz, classical, Latin jazz, rhythm & blues, popular and contemporary music.