Gabriel Faure (1845-1924) inhabits a "sound world" uniquely his own: moody, harmonically complex, sometimes neurotically so, melodically elusive. Less readily accessible than either of his French contemporaries, Debussy and Ravel, Faure's chamber music, nonetheless, is infinitely rewarding and certainly should be more widely recorded and available.
This remarkably rich offering of Faure's only two piano quartets (in C Minor, Op. 15 and G Minor, Op. 45) will, no doubt, go a long way in re-energizing interest in this coupling of the composer's most "popular" ensemble works.
Antonin Dvorák's Piano Quartet No. 2 is one of the greatest chamber works of the 19th century (as are many of Dvorák's chamber compositions). Written in 1889 at the request of his publisher Simrock, it is a big, bold work filled with the Czech master's trademark melodic fecundity, harmonic richness, and rhythmic vitality. The first movement is a soaring, outdoor allegro with an assertively optimistic main theme accented by Czech contours and Dvorák's love of mixing major and minor modes. The Lento movement's wistful main theme is played with a perfect mixture of passion and poise by cellist Yo-Yo Ma. The music alternates between passages of drama and delicacy in this, one of Dvorák's finest slow movements in any medium. The Scherzo's stately waltz is contrasted by a lively, up-tempo Czech country dance. The finale is a high-stepping, high-spirited allegro with a strong rhythmic pulse that relaxes for the beautifully lyrical second subject.
An exceptionally fine performance of the Mendelssohn string quintets by Jaime Laredo, Ani Kavafian, Heiichiro Ohyama, Kim Kashkashian and Sharon Robinson can be found on CD45883 (61 minutes: ADD). These are rhythmically alert and spirited readings, played with great charm and eloquence. They are an especially welcome addition to a catalogue that sports no rival version of No. 1 and only one of No. 2. The 1978 recording is one of the best in the batch, exceptionally well balanced with a fine feeling of depth and presence. Strongly recommended. (Gramophone)
This is an amazing set of grim, often bizarre music. The Trio No. 2 is a lament for the Russian Jews killed during World War II. The late Violin and Viola Sonatas sound like laments for the composer himself, in ill health and nearing the end of his life. Even the Cello Sonata, composed in slightly happier times, is far from humorous. Only the one-movement First Trio, a strange piece, has much happiness in it. If you're ready to face this difficult music, though, these performances by splendid musicians bring everything to life, and the "twofer" set is a great deal.
While Glenn Gould was a pianist who performed the works of many composers, his name is inextricably linked to that of Johann Sebastian Bach. More than any other composer, Bach was Gould's speciality. From his first recording of Bach's Goldberg Variations in 1955 to his final recording, again of the Goldberg Variations in 1981, Gould recorded nearly all of Bach's keyboard music.
With a "bonus" eighth track of the Rondo alla Zingarese-Presto from Brahms' First Piano Quartet filling out this CD to a near maximal 75 minutes and 55 seconds, this disc is a steal. The Double Concerto by Brahms is an energetic and riveting yet enigmatic addition to the concerto repertoire. With a combination of solo instruments not widely used since the Baroque era due to their contrasting sounds, this work presents some unique challenges in finding the proper balance between orchestra, solo violin, and solo cello.
This is the first-ever collection of Rudolf Serkin's complete recordings for Columbia Masterworks on 75 discs: Concertos, sonatas, chamber music and vocal performances, all recorded between 1941 and 1985. An all-embracing survey of Rudolf Serkin's recorded achievements, spanning over 44 years. Some collaborations include Adolf Busch, Pablo Casals, Peter Serkin, Jaime Laredo, Frtiz Reiner, George Szell, Eugene Ormandy, and Arturo Toscanini.
A Voyage Through Classical Music - a collection for lovers of classical music. Excellent selection of orchestral, chamber and other music, including songs with piano, strings, brass and other instruments.
Few record labels can boast as glorious a legacy as Sony Classical. This lavish four-disc set chronicles the finest performances available on the label from the past ninety-five years. Eighty selections comprising over four hours of music are accompanied by two lavishly illustrated booklets highlighting Sony Classical's stellar history.
Isaac Stern's influence will linger with violinists for many years, and his recorded legacy will endure as Sony finds new ways to repackage his extraordinary body of work. This Masterworks Expanded Edition consists of analog and digital recordings made between 1964 and 1996; except for the bonus track, this 2004 reissue corresponds to the second disc in the 2002 set, "In Tribute and Celebration." Schubert's Piano Trio in B flat major, which Stern performs brilliantly with cellist Leonard Rose and pianist Eugene Istomin, is the oldest recording here, but it is more enjoyable than it was on LP because the sound has been substantially improved through careful remastering.