Jake Raynal

Jake Vaadeland is a self-taught multi-instrumentalist and songwriter from Saskatchewan, Canada. His traditional sound and unique style could be defined as a blend of Bluegrass and 50’s Rockabilly, with Jake also specializing on guitar and banjo in addition to his impressive vocals.

The Stranger in the Mirror is the debut album from the Jake Mason Trio. Stepping out from the driver's seat of Cookin' On 3 Burners, Mason dives firmly into the '60s organ trio sound making a record that is both delicate and fiery. Featuring James Sherlock (guitar) and Danny Fischer (drums) the trio weave their way through bluesy soul-jazz, blazing vigor and soundtrack-esque territory. "I love the place where Jazz and Soul meets," says Mason. "It has a simplicity that is so warm and welcoming combined with a complexity that is exciting and makes you move."

On Last Man Dancing, Jake Shears turns his lifelong love affair with club culture into his most ambitious pop music to date. The album was brought to vivid life by Jake Shears and a close crew of collaborators, including head-turning features from Kylie Minogue, Jane Fonda, Iggy Pop, Amber Martin, and a pre-Renaissance turn from the iconic Big Freedia.

Since his early days as an emerging artist in the mid-aughts, Jake Owen has found a niche in making breezy, carefree music imbued with a spirit of openness and positivity. Like fellow laidback and vibey country acts Kenny Chesney and Little Big Town, Owen loves a song nodding to the great outdoors, particularly if there’s a body of water involved. On his seventh studio outing, Owen mixes such tracks—the playfully titled “On the Boat Again” and the sunburned ballad “Somewhere South with Rum,” among others—with classic party tunes (“Hot Truck Beer”) and breakup numbers (“Solo Solo”).

"American Love" is the fifth studio album by American country music artist Jake Owen. American Love sounds most authentically Owen. Full of diversity, American Love shows the many sides of his personality and all the while gives fans the perfect summer album for their busy lives. Whether road tripping or relaxing by the water, Owen’s "American Love" is a fitting soundtrack for those living out their own American lives.

From the first notes of symbiont, the radical new collaborative album and document of Black and Indigenous futurism from Jake Blount and Mali Obomsawin, the listener is met with rising tidewaters, massive droughts, and the appearance of an iconoclastic uprising amidst the world’s indifference. Questions of future or present tense swirl around the music as the duo unspools the intertwined threads of racial and climate justice. Amid rumbling synthesizer drones, the thrum of banjo, and the thwack of drum machines, a whisper of truth can be heard: this crisis has been unfolding for centuries.

‘Saturday Night, Sunday Morning’ marks a bold and exciting new chapter for Jake Bugg. His 5th studio album is filled with catchy guitar hooks, rhythmic base lines & anthemic choruses giving the record a huge euphoric feel. Cleverly set against more introspective songs with beautifully crafted lyrics, the album plays with a spectrum of emotions that we can all relate to. Jake says it was “the most fun he’s ever had making a record”. The album, released on 20th Aug, features singles ‘Kiss Like the Sun’ and gospel-infused anthem ‘All I Need’.

2013 sophomore album from the British singer/songwriter. The album shares its title with the Malibu studio where it was made, once the '70s haven of Bob Dylan and The Band, now the creative hub of legendary producer Rick Rubin, the recording titan whose jaw dropping c.v. spans from Def Jam and Johnny Cash to Adele and Kanye West. Rubin's assembled wrecking crew of "Shangri La" session regulars includes guitarist Matt Sweeney, bassist Jason Lader, and drummers Chad Smith and Pete Thomas.

Acclaimed musician and scholar Jake Blount will release his highly-anticipated new album, The New Faith, September 23 on Smithsonian Folkways Recordings—Blount’s first project in partnership with the esteemed non-profit label (pre-order/pre-save). The follow up to 2020’s breakthrough debut, Spider Tales, which The Guardian awarded a perfect five stars and called, “an instant classic,” The New Faith will be released as part of Smithsonian Folkways’ African American Legacy series—co-conceived with and supported by the Smithsonian National Museum of African American History and Culture.

From the first notes of symbiont, the radical new collaborative album and document of Black and Indigenous futurism from Jake Blount and Mali Obomsawin, the listener is met with rising tidewaters, massive droughts, and the appearance of an iconoclastic uprising amidst the world’s indifference. Questions of future or present tense swirl around the music as the duo unspools the intertwined threads of racial and climate justice. Amid rumbling synthesizer drones, the thrum of banjo, and the thwack of drum machines, a whisper of truth can be heard: this crisis has been unfolding for centuries.