Jakob_b Leak

On Remembering, the Danish cellist Jakob Kullberg continues his collaborations with two of the foremost Nordic composers: Per Nørgård and Kaija Saariaho. Praised internationally for his performances of the modern cello concerto, Kullberg regards the concerto form as the encounter of an individual soloist with the sound world of a composer. With living composers this approach often results in an unusual degree of collaboration, as the works gathered here bear witness to. Since 1999, Kullberg has enjoyed a close and unique partnership with Nørgård which has resulted in a large number of works.

"Groove Connection" features the highly acclaimed German alto saxophonist Jakob Manz together with a band of international groove-jazz-greats. An album full of infectious rhythms and melodies with great depth and stylistic mastery.

Blue sound. Deep focus. Encompassment. This is what awaits the listener on this recording. Not compression or complex harmonies, rather the sound characterizes this recording. The tone, the sound here is carried by the spirit of internalization. The silence between the notes connects. The album is a search for simplicity and the essential, which looks inward and decelerates the listener.

Singer Fay Claassen and trumpeter/composer Jakob Helling first met in summer 2022 for concerts and recordings with the "Jakob Helling Concert Big Band". Now this delightful encounter continues with slightly fewer musicians on stage: the two have a fantastic band in tow, featuring Matthew Halpin (sax), Mátyás Bartha (piano), Ivar Roban Križić (bass) and Mario Gonzi (drums), some of the most exciting musicians in the German-speaking world. The programme ranges from some pieces from the brand new album "Nerds & Sweeties" by the "Jakob Helling Concert Big Band" to arrangements from the Great American Songbook, which Helling has breathed new life into, to the musicians' own compositions. You can look forward to an entertaining concert evening full of joyful playing and virtuosity paired with arrangements that stimulate both the brain and the heart.

The music from the Baltic region in the latter half of the 17th century is characterized by fearless innovation and bubbling creativity. Here, a glimpse into the sacred solo-cantata and chamber music of this period is presented by bass-baritone Jakob Bloch Jespersen and Concerto Copenhagen under the direction of Lars Ulrik Mortensen.

The popularity of the lute in the Renaissance and Baroque periods continued during the early years of Haydn's life. By this time it usually had thirteen courses (twenty-four strings arranged in pairs with the top two courses being single) and it was still appreciated among the European aristocracy. It is therefore not surprising to find four works for lute and strings by Joseph Haydn in two manuscript sources from the middle of the 18th century. Three of these are well known in versions for string quartet (Op.1 No.1, Op.1 No,6 and Op.2 No.2) whereas the Sonata a 3 in F major has not survived in any other form.