Jam

Pearl Jam - Live Rarities (2024)  Music

Posted by Rtax at March 25, 2024
Pearl Jam - Live Rarities (2024)

Pearl Jam - Live Rarities (2024)
EAC Rip | FLAC (tracks, cue, log) - 237 MB | MP3 CBR 320 kbps - 87 MB
36:06 | Rock | Label: Mojo Magazine

Pearl Jam Live Rarities CD is a must for Pearl Jam fans: 10 rare tracks from the archive of one of our era’s most powerful live rock bands. Includes Drifting, Sad, Ghost, Parting Ways and more.

Pearl Jam - Pearl Jam (2006) [Japanese Press]  Music

Posted by Designol at July 13, 2022
Pearl Jam - Pearl Jam (2006) [Japanese Press]

Pearl Jam - Pearl Jam (2006) [Japanese Press]
EAC | FLAC | Tracks (Cue&Log) ~ 332 Mb | Mp3 (CBR320) ~ 114 Mb | Scans ~ 38 Mb
Label: BMG/Monkeywrench | # BVCP-21476/82876-71467-2
Alternative Rock, Hard Rock | Time: 00:49:43

Nearly 15 years after Ten, Pearl Jam finally returned to the strengths of their debut with 2006's Pearl Jam, a sharply focused set of impassioned hard rock. Gone are the arty detours (some call them affectations) that alternately cluttered and enhanced their albums from 1993's sophomore effort, Vs., all the way to 2002's Riot Act, and what's left behind is nothing but the basics: muscular, mildly meandering rock & roll, enlivened by Eddie Vedder's bracing sincerity. Pearl Jam has never sounded as hard or direct as they do here – even on Ten there was an elasticity to the music, due in large part to Jeff Ament's winding fretless bass, that kept the record from sounding like a direct hit to the gut, which Pearl Jam certainly does. Nowhere does it sound more forceful than it does in its first half, when the tightly controlled rockers "Life Wasted," "World Wide Suicide," "Comatose," "Severed Hand," and "Marker in the Sand" pile up on top of each other, giving the record a genuine feeling of urgency. (AMG)

Pearl Jam - No Code (1996) Japanese Press  Music

Posted by Designol at Aug. 6, 2022
Pearl Jam - No Code (1996) Japanese Press

Pearl Jam - No Code (1996) Japanese Press
EAC | FLAC | Tracks (Cue&Log) ~ 345 Mb | Mp3 (CBR320) ~ 144 Mb | Scans included
Genre: Alternative Rock | Label: Sony Music | # SRCS-8138 | Time: 00:49:38

A strange phenomenon with anthemic hard rock bands is that when they begin to mature and branch out into new musical genres, they nearly always choose to embrace both the music and spirituality of the East and India, and Pearl Jam is no exception. Throughout No Code, Eddie Vedder expounds on his moral and spiritual dilemmas; where on previous albums his rage was virtually all-consuming, it is clear on No Code that he has embraced an unspecified religion as a way to ease his troubles. Fortunately, that has coincided with an expansion of the group's musical palette. From the subtle, winding opener, "Sometimes," and the near-prayer of the single, "Who You Are," the band reaches into new territory, working with droning, mantra-like riffs and vocals, layered exotic percussion, and a newfound subtlety. Of course, they haven't left behind hard rock, but like any Pearl Jam record, the heart of No Code doesn't lie in the harder songs, it lies in the slower numbers and the ballads, which give Vedder the best platform for his soul-searching: "Present Tense," "Off He Goes," "In My Tree," and "Around the Bend" equal the group's earlier masterpieces.
The Jam - The Jam At The BBC (Remastered Limited Edition) (2002)

The Jam - The Jam At The BBC (Remastered Limited Edition) (2002)
FLAC (tracks) - 1.2 GB
2:53:16 | Rock, New Wave, Punk, Mod | Label: Polydor / Universal

Released to celebrate the 25th anniversary of the first single and first John Peel session. 38 tracks from 1977-1981, including exclusive sessions and Radio One 'In Concert' recordings.
Twenty-five years ago this year, with a snotty little ditty called "In the City", The Jam–angry young men in undersized school uniforms, featuring a singer with a seemingly permanent pair of blocked sinuses–introduced their vibrant young proletarian vitriol to the refuge-strewn streets of jubilee punk Britain. It's time then, in typically silveresque anniversary fashion, to celebrate two and a half decades of Weller and co. with this portable three-CD box set of rarely heard sessions from the secretively maintained BBC archives. The 56 tracks are drawn from sessions and live shows, encompassing the years 1977 to 1981 and thereby concluding with the introduction of brass, borrowed Beatles bass riffs, blue-eyed soul, and ski-influenced knitwear.

The Jam - The Gift (Super Deluxe Edition) (1982/2012)  Music

Posted by Pisulik at Dec. 30, 2019
The Jam - The Gift (Super Deluxe Edition) (1982/2012)

The Jam - The Gift (Super Deluxe Edition) (1982/2012)
WEB FLAC (Tracks) - 1.2 GB | MP3 CBR 320 kbps - 467 MB | 03:12:34
New Wave, Power Pop, Mod Revival, Punk Rock | Label: UMC (Universal Music Catalogue)

As good mods, the Jam always had a healthy respect for R&B and soul even the first album featured the revved-up Northern soul of "Non-Stop Dancing." With The Gift, however, Paul Weller seems to have become completely absorbed in it, and more specifically, in Stax-style soul with more than a hint of psychedelia à la "Psychedelic Shack." An uneven album marked by overindulgences like the instrumental "Circus" and unnecessarily long songs, The Gift still has no shortage of terrific songs, like the simply sublime "Ghost," "Town Called Malice" (the hit), and the funk workout of "Precious."

Method Man & Redman - Blackout! (1999) {Def Jam Recordings}  Music

Posted by TestTickles at Nov. 28, 2019
Method Man & Redman - Blackout! (1999) {Def Jam Recordings}

Method Man & Redman - Blackout! (1999) {Def Jam Recordings}
EAC Rip | FLAC with CUE and LOG | scans | 429 mb
MP3 CBR 320 kbps | RAR | 157 mb
Genre: hip-hop, rap

Blackout! is the first collaborative album project between Clifford Smith and Reginald Noble, better known as Wu-Tang Clan's Method Man and Redman of Redman fame. This was released in 1999 by Def Jam Recordings.

Pearl Jam - DEEP꞉ 2000 (2021)  Music

Posted by ciklon5 at Dec. 18, 2021
Pearl Jam - DEEP꞉ 2000 (2021)

Pearl Jam - DEEP꞉ 2000 (2021)
FLAC tracks | 2:08:24 | 805 Mb
Genre: Rock / Label: UMG

Pearl Jam Née à Seattle en 1990 sur les cendres de Green River et Mother Love Bone, la formation rock alternatif américaine Pearl Jam apparaît sur la scène musicale en 1991 avec Ten, premier classique recevant d'abord un accueil modéré avant de se retrouver propulsé dans les charts mondiaux à la faveur de l'explosion grunge emmenée par Nirvana. Fort de musiciens compétents, de la voix du charismatique Eddie Vedder et de puissantes compositions comme "Jeremy" ou "Even Flow", le groupe creuse alors son sillon, de Vs. (1993) à Gigaton (2020) en passant par Vitalogy (1994), No Code (1996) ou Yield (1998), s'imposant au-delà de l'étiquette grunge comme l'un des projets les plus importants de sa génération, capable de mettre l'efficacité de sa recette au service de messages sociétaux, politiques et environnementaux forts.

Pearl Jam - Yield (1998) Japanese Press  Music

Posted by Designol at Jan. 14, 2022
Pearl Jam - Yield (1998) Japanese Press

Pearl Jam - Yield (1998) Japanese Press
EAC | FLAC | Tracks (Cue&Log) ~ 371 Mb | Mp3 (CBR320) ~ 146 Mb | Scans included
Alternative Rock, Hard Rock | Label: Sony Music | # SRCS 8551 | 00:48:32

Yield is the fifth studio album by the American alternative rock band Pearl Jam, released on February 3, 1998. Following a short promotional tour for its previous album, No Code (1996), Pearl Jam recorded Yield throughout 1997 at Studio Litho and Studio X in Seattle, Washington. The album was proclaimed as a return to the band's early, straightforward rock sound, and marked a more collaborative effort from the band as opposed to relying heavily on frontman Eddie Vedder to compose the songs. The lyrics deal with contemplative themes, albeit seen in a more positive manner compared to the band's earlier work.

Pearl Jam - Backspacer (2009)  Music

Posted by Designol at Jan. 6, 2023
Pearl Jam - Backspacer (2009)

Pearl Jam - Backspacer (2009)
EAC | FLAC | Tracks (Cue&Log) ~ 251 Mb | Mp3 (CBR320) ~ 84 Mb | Data ~ 159 Mb | Scans ~ 47 Mb
Alternative Rock, Hard Rock | Monkeywrench | # 2716317 | Time: 00:36:38

Pearl Jam made peace with their hard rock past on their eponymous eighth album, but its 2009 sequel, Backspacer, is where the group really gets back to basics, bringing in old cohort Brendan O'Brien to produce for the first time since 1998's Yield. To a certain extent, the band has reached the point in its career where every move, every cranked amp, every short tough song is heralded as a return to form – call it the Stones syndrome – and so it is with Backspacer, whose meaty riffs have no less vigor than those of Pearl Jam; they're just channeled into a brighter, cheerier package. Despite this lighter spirit, Pearl Jam remain the antithesis of lighthearted good-time rock & roll – they're convinced rock & roll is a calling, not a diversion – but there's a tonal shift from the clenched anger that's marked their music of the new millennium, a transition from the global toward the personal.

Pearl Jam - Ten (1991) Japanese Press  Music

Posted by Designol at Jan. 26, 2023
Pearl Jam - Ten (1991) Japanese Press

Pearl Jam - Ten (1991) Japanese Press
EAC | FLAC | Tracks (Cue&Log) ~ 387 Mb | Mp3 (CBR320) ~ 146 Mb | Scans included
Grunge, Alternative Rock | Label: Sony Music | # SRCS 5634 | Time: 00:56:57

Nirvana's Nevermind may have been the album that broke grunge and alternative rock into the mainstream, but there's no underestimating the role that Pearl Jam's Ten played in keeping them there. Nirvana's appeal may have been huge, but it wasn't universal; rock radio still viewed them as too raw and punky, and some hard rock fans dismissed them as weird misfits. In retrospect, it's easy to see why Pearl Jam clicked with a mass audience – they weren't as metallic as Alice in Chains or Soundgarden, and of Seattle's Big Four, their sound owed the greatest debt to classic rock. With its intricately arranged guitar textures and expansive harmonic vocabulary, Ten especially recalled Jimi Hendrix and Led Zeppelin. But those touchstones might not have been immediately apparent, since – aside from Mike McCready's Clapton/Hendrix-style leads – every trace of blues influence has been completely stripped from the band's sound. Though they rock hard, Pearl Jam is too anti-star to swagger, too self-aware to puncture the album's air of gravity.