James r White

James Brown is featured here with the then newly formed J.B.'s – the maestro's second great band, including Bootsy Collins, Phelps Collins, Jabo Starks, Bobby Byrd, and Fred Wesley. Live at the Apollo had caught James Brown the '50s gospel/R&B singer; Love Power Peace captures James Brown the funkster. In the early '70s Brown turned up the funk, recording such litanies for Black America as "Ain't It Funky Now," "Sex Machine," "Give It Up or Turn It Loose," "Super Bad," "Get Up, Get into It, Get Involved," and "Soul Power." They're all here, along with revved-up, white-hot versions of the early- and middle-period classics. Brown had planned to release this as a triple album in 1971. When several bandmembers left shortly after it was recorded, Brown switched from King to Polydor Records, leading him to scrap it and record a new studio album instead. In 1992, Polygram decided to make the recording available for the first time.

Universal Music Distribution's Icon series dealt with Barry White's extensive back catalog in two forms. This one, a single-disc compilation (the other was a two-disc set), stays true to the Icon series format with 12 tracks and minimal packaging. It’s a decent sampler, but it’s nowhere near definitive and it doesn’t distill White’s work to its essence (an impossible task when limited to one disc). Several of the man’s most popular singles are here, including “Can’t Get Enough of Your Love, Babe,” “It’s Ecstasy When You Lay Down Next to Me,” “I’m Gonna Love You Just a Little More, Baby,” and “You’re the First, the Last, My Everything.” This merely scratches the surface.

Meshell Ndegeocello’s 2nd Blue Note album No More Water: The Gospel of James Baldwin is a striking homage to the eminent writer and activist James Baldwin to be released on his Centennial: August 2, 2024. Ndegeocello’s transformative music and collaborative spirit ignites this genre-bending work that is at once a musical experience, a church service, a celebration, a testimonial, and a call to action. Co-produced by Meshell and guitarist Chris Bruce, the album also features frequent collaborators Justin Hicks, Kenita Miller-Hicks, Josh Johnson, Jebin Bruni, Abe Rounds, Jake Sherman, and Julius Rodriguez, as well as powerful spoken word performances by poet and activist Staceyann Chin and Pulitzer Prize-winning author Hilton Als.

Peter White is one of those rare artists whose unique sound and natural, unpretentious musical vision encapsulate all the charm, appeal, and excitement of his genre. However one chooses to label that style – new adult contemporary, contemporary jazz, pop instrumental – the English-born acoustic guitarist has struck rare chords, artistically, commercially, and emotionally, in becoming a melodic mainstay at the top of every radio airplay and sales chart known to soulful, smooth jazz since launching his solo career in 1990 with reveillez-vous. White's similarly warmhearted, instantly infectious Columbia debut Caravan of Dreams continues in the R&B vein of his previous two discs (1993's Promenade and 1994's Reflections), focusing on his trademark breezes while texturing street-smart synth grooves with a free-spirited all-star ensemble to create a whimsical musical travelog.

Barry White has been to the top of the charts an admirable number of times, but only one of his hits was a ballad (a studio effort for the Quincy Jones album Back on the Block that included El DeBarge, James Ingram and Al B. Sure!). However, as a solo artist, White has never had a ballad usurp the number one spot on the Billboard charts. The Icon Is Love's featured release fills that void. "Practice What You Preach," which unites the maestro with producers Gerald LeVert and Edwin Nicholas, has a simmering arrangement, evocative lyric, and White's brawn delivery. The catchy melody and sensuous female backing vocals enhance this already stellar single.

The final recordings from the Earth, Wind & Fire founder and Grammy Lifetime Achievement Award-winner.