Jan Kersschot

Fearlessly searching for new conceptions of sound and not caring where he found them, Garbarek joined hands with the classical early-music movement, improvising around the four male voices of the Hilliard Ensemble. Now here was a radical idea guaranteed to infuriate both hardcore jazz buffs and the even more pristine more-authentic-than-thou folk in early music circles. Yet this unlikely fusion works stunningly well - and even more hearteningly, went over the heads of the purists and became a hit album at a time (1994) when Gregorian chants were a hot item. Chants, early polyphonic music, and Renaissance motets by composers like Morales and Dufay form the basic material, bringing forth a cool yet moving spirituality in Garbarek's work…

Beautiful music inspired by the magical moments in life when you are in harmony and life unfolds before your eyes in it's uttermost beauty.

A good day starts off with a good morning. Here is the music, which helps you get up on the right side of the bed: Beautiful, harmonious music inspired by nature. Imagine waking up every morning in a house by the ocean. The soothing sound of the waves and their eternal pulse in the background are reminiscent of things eternal in your existence. The night's gossamer of dreams retreats with a couple of deep breaths, and time has come to tackle the day's new challenges.

Beautiful music inspired by nature and the peace we all can expirience by taking a walk and listen to the birds singing, the calming sounds of ocean waves. Nature means a lot to Jan Skovgaard Petersen. Whenever important decisions have to be taken, he usually taks a walk by the ocean to create a break where thoughts can calm down. The music on this album expesses his gratitude and inner joy to have this sanctuary.

If you’re looking for an acceptable, low-cost cycle of Bach’s harpsichord concertos, this Brilliant Classics set may be of interest. Discs 1 and 2 contain all of the concertos for solo harpsichord and continuo, as well as the Concerto BWV 1060 for two harpsichords and Concerto BWV 1065 for four harpsichords, performed by the modern-instrument ensemble Neues Bachisches Collegium Musicum, with soloist Christine Schornsheim, joined by fellow harpsichordists Armin Thalheim, Mechtild Stark, and Violetta Liebsch in the multiple keyboard works. These performances were originally issued in the U.S. nearly 25 years ago on the now defunct Capriccio label.

The double album Sleeper contains a previously unreleased live concert by Keith Jarrett's European quartet from the '70s, recorded at Tokyo's Nakano Sun Plaza on April 16, 1979. Together with saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen, Jarrett performs seven of his own compositions: "Personal Mountains," "Innocence," "So Tender," "Oasis," "Chant of the Soil," "Prism," and "New Dance" the latter song being the shortest here at seven minutes, while "Oasis" clocks in at over 28 minutes!

The album, which is being released by Supraphon in its Music of the 18th-century Prague series, is focused on works by the important lutenist and composer, Count Jan Antonín Losy (1651–1721), looking at them from an unusual point of view. The album, aptly called Losy, Weiss: Lute Music in Prague and Vienna, circa 1700, also presents compositions originally written for lute, in alternative but original period versions. Historical instruments player, teacher, researcher and producer Jan Čižmář recorded the music with the Polish {oh!} Ensemble, headed by violinist Martyna Pastuszka. The result is a revealing album premiering some of Losy’s lute compositions in unusual and varied sound versions and is being released by Supraphon on 24 May 2024 on CD and in digital formats.

Listening to this beautifully played collection of Schubert’s piano trios, the two completed ones and the lonely single movements, I realized that this is the one recording I have that was made on fortepiano. Other favorites, including the recordings by the Beaux Arts Trio, the lesser known Trio di Trieste, and the more romantic recording by Arthur Grumiaux, Pierre Fournier, and Nikita Magaloff, are on modern instruments. That wouldn’t matter, perhaps, if the performances on this new disc were less convincing. Jan Vermeulen has been recording the Schubert sonatas to great acclaim. He now has added a recording of the trios that is clearly articulated, impassioned, at times even jaunty.