Partially growing out of their success in the country they were named after, as well as growing friendship and affiliation with such bands as Yellow Magic Orchestra, Japan, on Tin Drum, made its most unique, challenging, and striking album. It was also the final full studio effort from the group, and what a way to bow out – there was practically no resemblance to the trash glam flailers on Adolescent Sex anymore. Rather than repeat the sheer restraint on Gentlemen Take Polaroids, Tin Drum is an album of energy, Sylvian's singing still the decadently joyful thing it is, but the arrangements and performances tight, full, and active. The fusion of exquisite funk courtesy of Karn and Jansen's joined-at-the-hip rhythm section and a range of Asian music influences, from instrumentation to subject matter, combined with an even wider use of technological approaches to create the dramatic, sly songs on offer.
Partially growing out of their success in the country they were named after, as well as growing friendship and affiliation with such bands as Yellow Magic Orchestra, Japan made their most unique, challenging, and striking album in Tin Drum…
three CD set containing a trio of albums from the British band led by David Sylvian: Adolescent Sex, Obscure Alternatives and Quiet Life. Sony.
The final Japan release was sold and marketed as a live album, though actually it's a bit of a catchall – it is indeed mostly from concerts, but also includes a variety of studio instrumentals and a re-recorded version of "Nightporter" mixed in to sound like it's part of the show…
Never Let Me Down is the 17th studio album by David Bowie, released on 20 April 1987 on the label EMI America. Bowie conceived the album as the foundation for a theatrical world tour, writing and recording most of the songs in Switzerland. He considered the record a return to rock and roll music. Three singles were released from the album, "Day-In Day-Out", "Time Will Crawl" and "Never Let Me Down", which all reached the UK Top 40…
Arcadia was the arty quarter of Duran Duran's side project. Members Simon Le Bon and Nick Rhodes were left to complete it after Roger Taylor left the group. They still strove to create the "western evocative of east" blueprinted by Japan's Tin Drum. They didn't achieve it with this, but it's certainly the best album Duran never made. Like earlier work Rio, the sleeve perfectly describes the record inside. The opener "Election Day" is darkly romantic irking toward erotic and has brass stabs not dissimilar from their Bond score View to a Kill. The following songs are lighter: "Keep Me in the Dark" and the U.S. single "Goodbye Is Forever." "The Flame" has a sharp beat and sultry bass groove that nods at Nile Rodgers. Two dream works, "Missing" and "Rose Arcana," precede "The Promise," which guests Pink Floyd's David Gilmour, Sting, and Herbie Hancock…
Points on the Curve is Wang Chung's second album and first album since changing their name from Huang Chung and switching from Arista to the Geffen record label. It reached #30 on the Billboard 200 album charts on 14 July 1984 and features the #1 dance single "Dance Hall Days" and includes the hit singles: "Don't Let Go", "Don't Be My Enemy" and "Wait".