Jason Sthatam

Here We Rest is American musician Jason Isbell's third album, and second with his band The 400 Unit. It was released April 12, 2011. On October 18, 2019, the album was re-released with remixing done by Dave Cobb and remastering done by Pete Lyman.

Jason Aldean’s Georgia roots run deep, so much so the country superstar titled his 10th studio album after his Peach State hometown, Macon, citing R.E.M., Trisha Yearwood, James Brown, and Otis Redding as artists whose careers have influenced his. “Between Macon and Atlanta, it was just like this melting pot of all this different kind of music that was coming in there,” Aldean tells Apple Music. “Growing up, you're kind of exposed to all that stuff, and it's just cool. It gives you an appreciation for all these different kinds of music.” Though its title references a musical melting pot, MACON is Aldean’s muscular take on pop-country through and through, with festival-ready party songs and heartfelt ballads cozying up to one another. Carrie Underwood joins Aldean on “If I Didn’t Love You,” Aldean’s 26th No. 1 country hit and one of his fastest-charting singles. Aldean rounds out the project with a handful of live tracks, including performances of his smash hits “My Kinda Party” and “Big Green Tractor.”

The First Ever Live Album from Jason Marsalis! Featuring: Oscar Rossingnoli, Jasen Weaver, Gerald Watkins.

Charles Lloyd's 2024 musical offering, The Sky Will Still Be There Tomorrow, is a majestic double album of new studio recordings from the legendary saxophonist which will be released on March 15, 2024, Lloyd's 86th birthday. One of the most significant musicians of the 20th and 21st centuries, Lloyd remains at the peak of his powers in the company of a newly assembled quartet of four distinctive voices with the NEA Jazz Master joined by pianist Jason Moran, bassist Larry Grenadier, and drummer Brian Blade.

Jason Moran's fourth Blue Note album, a highly idiosyncratic solo piano venture, attempts to reconcile a staggeringly diverse set of influences into a cohesive artistic vision. Beginning with stride master James P. Johnson's "You've Got to Be Modernistic," the omnivorous young pianist then takes that title to heart by personalizing everything from Robert Schumann's "Auf Einer Burg" to Muhal Richard Abrams' "Time Into Space Into Time" to Afrika Bambaataa's "Planet Rock." Among the originals are two more chapters in Moran's ongoing "Gangsterism" series, as well as the closing "Gentle Shifts South," one of his simplest, most affecting melodies. Not unlike Brad Mehldau's Largo, which was released around the same time, Modernistic explodes jazz piano conventions by addressing the issue of sound…