Jason Wejg

Jason Vieaux, "among the elite of today’s classical guitarists" (Gramophone), is described by NPR as "perhaps the most precise and soulful classical guitarist of his generation". Among his extensive discography is the 2015 Grammy-winning album for "Best Classical Instrumental Solo", "Play". Vieaux’s multiple appearances over the years with Chamber Music Society of Lincoln Center, Strings Music Festival, Eastern Music Festival, Caramoor Festival, etc., have forged his reputation as a top-drawer chamber musician.Regular collaborators include the Escher String Quartet, mezzo-soprano Sasha Cooke, violinist Anne Akiko Meyers, harpist Yolanda Kondonassis, and accordion/bandoneon virtuoso Julien Labro. Now, Vieaux releases "Bach Volume 2", a follow-up to Volume 1. This is Jason's first release since the 2015 release of Grammy Award winning "Play".

Jason Mraz’s new album begins and ends with the same phrase: “look for the good.” Those four words are not just a lyric or the title of his seventh studio album, but also an all-encompassing world philosophy for the musician, who believes that in dark and challenging times we should search for something positive.

Pharis and Jason Romero are pure craftspeople. A renowned banjo builder, Jason spent years developing his own personal designs, and on 'Tell ‘Em You Were Gold,' his handmade instruments take center stage. Over a half dozen uniquely crafted banjos are played by the duo in the course of the album. There’s conviction and delicacy in this music, which ranges from duets that showcase the pair’s deep psychic and artistic connection to solo banjo meditations and full band romps. Recorded over six days in an old barn in Horsefly, British Columbia, the album displays the multiple Juno Award-winning duo playing music that is honest, direct, and reflective of life’s beauty and knottiness.

A melodic and playful adventure score conveys Quill's story in Moss from her perspective by employing small and intimate-sounding instruments – flute, oboe, Celtic harp, English hammered dulcimer, acoustic guitar, and classical violin – all composed, arranged and produced in a pastoral soundscape with enchanting Waltz-esque flair.

Jason Max Ferdinand is an Associate Professor and Director of Choral Activities at Oakwood University where he conducts the Aeolians of Oakwood University and the University Chorale, Voices.

Live From The Ryman Vol. 2 draws from multi-track recordings by the band’s longtime front-of-house engineer, Cain Hogsed, from four of the last six years of sold-out shows at Nashville’s legendary Ryman Auditorium. Hogsed co-produced the album alongside Isbell, and mixed the tracks with Nashville, TN’s Todd Tidwell. The album features 15 live versions of songs from the band’s last two critically acclaimed, award-winning studio albums - Reunions (2020) and Weathervanes, (2023), as well as stunning rendition of “The Last Song I Will Write,” from Isbell’s 2009 self-titled release, and a poignant cover of Tom Petty’s “Room at the Top.”

They walked a very long way, saw you, and tagged you forever… then strode away, but kept you in their mind as they tagged someone else. See, That’s how a lot of this works.

Seeking to interpret trumpeter/composer Kenny Wheeler's music with the boundless sense of adventure and nuance needed to honor his unique writing, Bay Area guitarist Jason Keiser was particularly intrigued by Wheeler's penchant for assembling unusual instrumental configurations as he made preparations for Kind of Kenny. Teaming with the one-of-a-kind, master guitarist John Stowell as the ensemble's rhythmic and harmonic base, Keiser enlisted lyrical improvisers, trumpeter Erik Jekabson and saxophonist Michael Zilber, and vocalist Danielle Wertz, acting as a horn-like melodic voice and as a singer on Wheeler & Norma Winstone's "For Jan."