Jazzmela Horn

The case for performing Mozart's horn music authentically on its original natural (valveless) horn is a bit tougher than for music in other genres; it's hard to imagine that Mozart or his audiences wouldn't have preferred the smooth scale of the modern horn to the reedy, clarinet-like tone that emerges on chromatic notes even on a fine recording like this one. Yet the four concertos, two of them incomplete or incompletely transmitted, and the Horn Quintet in E flat major, K. 407, have been recorded often enough on natural horns.

Markus Maskuniittys debut recording together with the Royal Stockholm Philharmonic Orchestra together with its chief conductor Sakari Oramo, showcases four concertante works for horn and orchestra covering a period of one hundred years (from 1849 to 1951). Robert Schumann described the horn as the soul of the orchestra and he had a profound affinity with the instrument. The most substantial of Schumanns works featuring the horn is the Konzertstück for four horns and orchestra, Op. 86. Schumann considered the work as one of his best achievements as a composer. During 1849, Schumann wrote a total of three works featuring the valve horn.

When one evaluates Paul Horn's career, it is as if he were two people, pre- and post-1967. In his early days, Horn was an excellent cool-toned altoist and flutist, while later he became a new age flutist whose music is often best used as background music for meditation…

This CD from EMI features Dennis Brain, in my opinion the greatest horn player who ever lived. In his tragically brief life Brain recorded the definitive versions of numerous works, and although his Mozart horn concertos are my favorites, his treatment of Strauss is a close runner up. Despite these recordings being from the mid-1950s, the musicianship of Brain still makes these the best available. While I like Strauss, I find Hindemith a bit derivative and monotonous, although with Brain's treatment still a delight.

Shirley Horn covers several works by composer Curtis Lewis (who passed away prematurely at the age of 51 in 1969) in this 1984 trio concert at Florida Memorial College. Horn, who was introduced to Lewis by her manager, John Levy, during her debut recording session in 1960, recorded several of his works over her career, including "All Night Long," but the bittersweet nature of many of the songs heard in this performance is carried off beautifully by the singing pianist, particularly "He's Gone Again." The last four tracks comprising Lewis' "The Garden of the Blues Suite" are part narrative and part song, including the well-known composition "The Great City." Horn is in top form throughout the concert, with her soft, thoughtful vocals accompanied by her sensitive and sometimes swinging piano. Bassist Charles Ables and drummer Steve Williams provide terrific support as needed, though they sometimes lay out for a significant spell.