Jenn Anh Nguyen

Von Chopin bis Einaudi, von Bach über Yiruma und Benny Anderson bis zu Filmmusik kommt hier die ultimative Peaceful Piano Edition. Mit dem Gütesiegel der Deutschen Grammophon sind legendäre Künstler aus den Bereichen Klassik, Neo-Klassik und Filmmusik versammelt. Als Besonderheit zeigt sich die genre-übergreifende Sammlung aus klassischem und zeitgenössischem Klavierrepertoire, mit dem Augenmerk auf einem kontinuierlichen und ruhigen Hörerlebnis, als Reise durch die vier Tageszeiten: Morgen, Nachmittag, Abend und Nacht. Die Musik gleitet kontinuierlich ineinander – perfekt zum Relaxen und Entspannen.

Nguyên Lê’s "Overseas" – the great guitarist brings jazz, traditional Vietnamese music and hip-hop to the music for “Cirque-Nouveau”.

The last ten years of Mozart’s life, spent in Vienna, coincided with the growing development and popularity of the clarinet. In particular, Mozart found inspiration in the playing of the Stadler brothers, resulting in his Clarinet Concerto and Clarinet Quintet for Anton Stadler. The Five Divertimentos were also probably written for the Stadlers. They were originally designed for the related instrument, the basset-horn, but first published posthumously as a complete set in the present scoring for two clarinets and bassoon.

Iniciou sua trajetória musical estudando com seus pais, o luthier João Cruz e Janette Sanchez Cruz aos 8 anos, tendo como primeiro instrumento de estudo: o piano. Já aos 10 anos começou aprender tocar violino. Estudou violino no Brasil com Erich Lenninger e com Maria Vichnia. Posteriormente, participou de master classes e aulas com Kenneth Goldsmith (EUA), Chaim Taub (Israel) e com Joseph Gingold (EUA). Estudou teoria, harmonia, contraponto e regência com o Prof. Dr. George Olivier Toni.Além disso, frequentou na UNIRIO (Universidade Federal do Estado do Rio de Janeiro) de 1983 a 1985 o curso de instrumentista, especialidade, violino. Posteriormente, teve aulas de música de câmara na Escola Municipal de Música de São Paulo com Walter Bianchi. Formado em Filosofia-Licenciatura pela Universidade de Franca (UNIFRAN), atualmente cursa o Mestrado em Música na UNESP, Universidade Estadual Paulista “Júlio de Mesquita Filho”.

The harpsichordist and conductor Alexander Grychtolik and the top Belgian ensemble Il Gardellino present here on PASSACAILLE an attempt to reconstruct the Passion oratorio BWV Anh. 169, which Bach began around 1725 but then
abandoned or had to abandon. This recording is intended to show that with Picander's free Passion poem, the composer must also have planned his own contribution to the then extremely popular genre of the freely composed Passion oratorio. Numerous detailed questions about the work will probably remain unanswered forever. In the spirit of artistic experimentation, however, this version is intended to explore a new aspect of Bach's Passion aesthetics.