Jennifer Van Sijl

While virtually unknown in the U.S., pop singer Jennifer Rush achieved superstar status as an expatriate in Europe, selling millions of records and releasing a string of hit singles notable for their booming, dance-rock arrangements and Rush's powerful voice. Born Heidi Stern in New York City, Rush's father was an opera singer and her mother was a pianist. At the age of nine, she moved to Germany with her family, returning in her teens to the States. In 1982, she returned to Germany with her father to pursue a singing career, signing a deal with CBS/Columbia. Changing her name to Jennifer Rush, she released a series of songs that made her a star in Europe, including "Into My Dreams," "Come Give Me Your Hand," "25 Lovers," and "Ring of Ice."

Jennifer Rush (The Power Of Love - International Version) is the debut album by American singer Jennifer Rush. It became a big-seller across Europe, hitting the top ten in many countries, including Germany, where it remained on the charts for over 100 weeks. The album features the song "The Power of Love" which when released as a single, reached number one in several countries around the world.

Jennifer Rush is the debut studio album by American singer Jennifer Rush, originally released on March 2, 1984. The album was commercially successful across Europe, reaching the top 10 in many countries, including Germany, where it spent 97 weeks on the chart…

While virtually unknown in the U.S., pop singer Jennifer Rush achieved superstar status as an expatriate in Europe, selling millions of records and releasing a string of hit singles notable for their booming, dance-rock arrangements and Rush's powerful voice. Born Heidi Stern in New York City, Rush's father was an opera singer and her mother was a pianist. At the age of nine, she moved to Germany with her family, returning in her teens to the States. In 1982, she returned to Germany with her father to pursue a singing career, signing a deal with CBS/Columbia.

More than many, more-fêted stars, Jennifer Lopez seems emblematic of 00s pop: slick, blinged-up, powerful and ambitious enough to overcome such peasantish problems as a lack of innate aptitude for the form. And, for a while, her attitude worked to superb effect: she's the quintessential "more great songs than you initially assume" artist, with Love Don't Cost a Thing, Whatever You Wanna Do, If You Had My Love and – best of all – the Murder remixes of Ain't It Funny and I'm Real all high-water marks. But even her most passionate defenders couldn't have expected her to be relevant in 2011, with her most recent material seeming to indicate a decline of interest on both the public's part and her own…

This 2015 version of Puccini's Turandot has been cannily marketed and has sold well. The marketers had ideal material to work with. Those coming to the opera from the crossover pop recordings of tenor Andrea Bocelli probably needed little more motivation to purchase the album than his name on the cover: he can turn out a crowd even in places where opera is very rare, such as Indonesia.