Jerry Garcia Merl Saunders

GarciaLive Volume 12 chronicles Jerry Garcia and Merl Saunders' performance at The Boarding House in San Francisco, CA on January 23, 1973, joined by John Kahn (bass), Bill Vitt (drums) and Sarah Fulcher (vox). Both sets from that evening were unique with rarely featured Motown composition "Honey Chile" and famous Carmichael/Gorrell penned "Georgia on My Mind." This one-of-a-kind, previously uncirculated show was mixed from multi-track recordings by Jonathan Wilson (Father John Misty).

GarciaLive Volume 18: November 2nd, 1974 Keystone Berkeley presents the complete & previously uncirculated two-set Jerry Garcia & Merl Saunders performance originally recorded to 1/4” analog reels by Betty Cantor Jackson.

Grateful Dead guitarist/vocalist Jerry Garcia and keyboardist Merl Saunders performed live at the Keystone in Berkeley, CA together on July 10th and 11th, 1973. Although components of this memorable show have been previously released, this is the very first time that the concert has become available in its entirety. This 4 disc box set assembles the full set list, all remastered, and in the order in which the songs were performed. The repertoire spans blues, rockabilly, jazz, funk, Broadway, Motown, two Bob Dylan songs, and Jimmy Cliff's immortal The Harder They Come.
The recordings that made up the original Live at Keystone albums by Jerry Garcia, Merl Saunders, John Kahn, and Bill Vitt took place over two nights in July of 1973…

GarciaLive Volume Nine presents Jerry Garcia & Merl Saunders’ August 11th, 1974 performance at Keystone in Berkeley, CA. Joining Garcia & Saunders this evening were John Kahn on bass, Martin Fierro on saxophone & flute and the Grateful Dead’s Bill Kreutzmann on drums. As the site of over 200 performances by Garcia in various configurations, the Keystone Berkeley stage likely felt more like an extension of the Saunders’ family garage where the group would often practice. It was a space without pressure or pretense — one in which they could freely experiment with arrangements, new repertoire and, most of all, just jam.