Jiaming Tang

Cold Coming is the story of Marie. Born on the near west side of Chicago to a single mother who couldn’t care for her. Orphaned, adopted, abused, and addicted, she finds herself alone and forgotten. A reflection of our times. And that’s where her odyssey begins…
If you're looking for entertaining progressive rock music, Chicago's Zip Tang are a recommended choice indeed. Definitely experienced, since this will be album number six in the meanwhile.

The reduced to a trio band still plays a melodic, American, modern prog, but rocking heaviness is more in the foreground, even if the music is already pretty playful proggig. Right on the opening track "Cigarette Burns", the Americans make one on "Punk Floyd." The closeness to the rock dinosaurs is not only evident in this piece, but also in the electric guitar solo, while the alternative rock scene lulls it The Prog of Zip Tang sometimes comes closer to the late King Crimson, while the harmony vocals can evoke associations with CSN ("Knowing"). Here and there are some beautiful crimsoid bumpy riffs and some psychedelic palpable ("Maniacal Calliope" Sometimes it rocks more straightforward ("Phantasmagoric Haze"), sometimes alternative-proggiger ("Plastique Hey-Zeus"), but these are just influences that enrich the bands already quite unique sound-cosmos…

A devoted disciple of Falla, Ernesto Halffter (less avant-garde a composer than his older brother Rodolfo or his more famous nephew Cristobal) gave up so much of his time and energy to the colossal task of making sense of, and completing, his mentor’s Atlantida that his own output remained modest, consisting chiefly of a chamber opera, ballets, concertos for violin and for guitar, and a handful of other works. The first of his Esquisses symphoniques (written before he was 20), the exuberant “Chanson du lanternier”, is heavily indebted to early Stravinsky: more individual (though with Debussian overtones) and very impressive both for its orchestral writing and its eloquence, is the second, “Paysage mort”. But it was his sizeable Sinfonietta, completed shortly afterwards in 1925, which really attracted attention at home and abroad. There have been three or four previous recordings of it (including the very last recording – on Spanish Columbia – made by the conductor Ataulfo Argenta), but none are currently in the catalogue.

Cecilia Bartoli stars in this ebullient Zurich Opera House production of Rossini’s first French-language comedy opera described by the international press as “pure, unadulterated fun”. A BD from Zurich of the acclaimed production by masters of bel canto comedy, Moshe Leiser and Patrice Caurier. Bartoli reminds us of her comic gifts and her naturalness as a stage actor — as well as her total sympathy with the music of Rossini. Muhai Tang conducts the historical performance ensemble La Scintilla, and the cast includes the acclaimed young Mexican tenor Javier Camarena in the title role.

Rossini’s unusual scoring of the drama calls for three tenor supporting roles – here sung to universal acclaim by long-standing Bartoli collaborators John Osborn and Javier Camarena and newcomer Edgardo Rocha. Bartoli’s dramatic command and vocal presence dominate the stage and reveal her artistry to be entering a rich new stage of development.

During the pandemic, Cecilia paused her busy schedule and took time to go back through her archives. She is now releasing this never-before-heard album ‘Unreleased’, a celebration of the most famous concert arias from Mozart, Beethoven & Haydn. Recorded with the Kammerorchester Basel conducted by Muhai Tang, and featuring Maxim Vengerov as solo violin on track 6.

Robb Weir is never a man to take what he has for granted. Having led TYGERS OF PAN TANG since their first album through a number of line-up changes, he recognises that the current Tygers are probably the strongest since they were at the forefront of the NWOBHM. The original band, who made four albums for MCA Records, survived the unexpected departure of Jess Cox to run Neat Records and later John Sykes, who was bound for Thin Lizzy and a multi-million seller with Whitesnake. What they didn’t survive was their greatest commercial success with the album “The Cage”. Now the band are all set for the release of their new album, “Bloodlines”.