Jimmy Webbù

Besides hardcore Led Zeppelin fans, it's a little known fact that Jimmy Page produced and played on a 1970 album by theatrical rocker Screaming Lord Sutch, Lord Sutch and Heavy Friends. In addition to Page's appearance (he also co-penned a few tracks), the other 'friends' included John Bonham, Jeff Beck, Nicky Hopkins, and Noel Redding. Since the album is quite difficult to find nowadays, select tracks have popped up over the years on compilations, such as the 2000 set Rock and Roll Highway.

This was Jimmy's best selling album ever but the title is very misleading in that these are all studio recordings, not live recordings, which means they weren't recorded at Carnegie Hall, but the tracks are in the order he performed them at a Carnegie Hall concert one week prior to recording the first dozen in the studio of this double album. This is actually the first time all of the original master tapes of this album were used as the songs recorded in mono were on all previous issues in rechanneled stereo while the true stereo tracks on this disc have always been in true stereo on every release. Steve Hoffman searched high and low for the first generation tapes of each song on the album in the Vee Jay vaults and as a result, Audio Fidelity has issued the definitive release of the album. Audiophiles and casual blues fans who like quality sound must pick up this issue of Jimmy Reed At Carnegie Hall as it contains most of his biggest hits in the best possible quality sound due to the work of Steve Hoffman.

Working Class Boy (subtitled The Soundtracks) is a 2018 soundtrack album by Australian singer-songwriter, Jimmy Barnes. It is the soundtrack album for the 2018 film of the same name, based on the 2016 memoir of the same name, which became a tour in 2016 and 2017 in which Barnes sang songs and told stories from the memoir. The album was released on 17 August 2018. Disc 1 contains 12 songs, 2 instrumentals and 13 spoken word pieces captured live at the State Theatre (Sydney) on 12 April 2017. Disc 2 is an 8 songs recording with a full band on a Soundstage for the movie version of Working Class Boy. At the ARIA Music Awards of 2018, the album won the ARIA Award for Best Original Soundtrack, Cast or Show Album.

Hailing from the Jimi Hendrix and Stevie Ray Vaughan school of blues-rock, Little Jimmy King turns in a promising eponymous debut. Though he leans a little to heavily toward rock & roll for some tastes - at his rootsiest, he sounds like Albert King - there's no denying his skill. King runs through a number of rollicking uptempo tracks, shuffles, R&B grinders, smoldering slow blues and even funk in the form of a cover of Sly Stone's "Sex Machine." Though his songwriting isn't quite up to par, his conviction carries him through the weakest moments and he shows signs of developing into a more distinctive songwriter. On the whole, it's an exciting, promising debut.

Jazz pioneer and Hammond Organ s most acclaimed practitioner, Jimmy Smith bridged the gap between soul and jazz, and along with the likes of Ray Charles, forged a sound that appealed to a wide ranging cross-section of music fans during the 50s and 60s. Smith s instrument of choice, the Hammond B-3 with its unique sound and unusual range, adapted well to the genre s flexible leanings, and while Smith was far from the first jazz musician to utilise the organ - legends Count Basie and Fats Waller had both done so in an earlier era - Smith applied the instrument in such a way as to attract the mainstream; he was rewarded for this by becoming one of jazz music s household names and by having his albums fly high on the Billboard Chart in the early 1960s - an unusual feat for a jazz man. This 4CD compilation brings together eight of Jimmy Smith s finest albums, recorded for the Verve label between 1962 and 1964. Including a number of his most successful and critically acclaimed works, all of which originate from this hugely accomplished musician s golden age, this release will serve as both the perfect introduction to Smith s music for the less well versed, and as the ultimate collection for everyone else.

This double-disc set features all of the studio performances between saxophonist Stan Getz and guitarist Jimmy Raney recorded between October of 1948 and April of 1953. The sheer number of labels the pair recorded for is staggering, from Sittin' in With to Roost, Savoy, Sesco, Clef, Prestige, and others. And while Getz, particularly on the early sides, is still deeply entrenched in his worship of Charlie Parker, the cool elegance of Raney's own playing is already asserting itself on the early sides, so that by 1951, Getz has moved toward the center from strictly bebop. Some of the other players on these sessions include Duke Jordan, Curly Russell, Blossom Dearie, Horace Silver, Roy Haynes, Frank Isola, and many others. There are 41 performances in all, giving a striking portrait of the era, and of Getz's development as a soloist and bandleader in particular…