Joao Selva Maré Vai Subir

Carnegie Hall Concert album by Stan Getz & Joao Gilberto was released in 1998 on the Jazz Door label. Recorded live at Carnegie Hall, New York in October 1964.

João Donato de Oliveira Neto is a Brazilian jazz and bossa nova pianist from Brazil, probably best known for his numerous albums as bandleader in the idiom. He first worked with Altamiro Carrilho, and went on to perform with other masters of the idiom such as Tom Jobim, Astrud Gilberto, as well as a host of others.

This release on the Onyx Classics label has no right to be as good as it is. Pianist Maria-João Pires, 70 years old when the album appeared in 2014, has never been known as a Beethoven specialist. The Swedish Radio Symphony Orchestra under Daniel Harding is a competent group, surely, but hardly on Europe's or even Scandinavia's A-list. The Beethoven Piano Concerto No. 3 in C minor, Op. 37, and Piano Concerto No. 4 in G major, Op. 58, hardly lack for varied and incisive interpretations. Yet there it is: this one delivers ideas that nobody else has offered before. In a nutshell, Pires makes the piano the quiet partner to a rather martial orchestra in these works.

This release from the London Symphony Orchestra's LSO Live series features a program that the orchestra must have played hundreds of times over its long history: Mendelssohn's well-loved Symphony No. 3 in A minor, Op. 56 ("Scottish"), and Hebrides Overture, Op. 26, with the Schumann Piano Concerto in A minor, Op. 54, in between. There are substantial attractions, but they don't necessarily come where some think they might. What truly sets this recording apart is the extraordinarily graceful performance of the Schumann by Portuguese (and now Brazilian) pianist Maria João Pires, with the LSO keeping itself carefully subordinated to her unusually quiet performance.

One of Portugal´s leading classical musicians, Bruno Monteiro is herald by Opus Klassiek as a “top violinist” and by Musical Opinion as an “admirable artist”.

One of Portugal´s leading classical musicians, Bruno Monteiro is herald by Opus Klassiek as a “top violinist” and by Musical Opinion as an “admirable artist”.

João Gilberto (10 June 1931 - 6 July 2019) was a Brazilian singer, songwriter, and guitarist.
When talking about bossa nova, perhaps the signature pop music sound of Brazil, frequently the first name to come to one's lips is that of Antonio Carlos Jobim. With songs like "The Girl From Ipanema" and "Desafindo," Jobim pretty much set the standard for the creation of the bossa nova in the mid-'50s. However, as is often the case, others come along and take the genre in a new direction, reinventing through radical reinterpretation, be it lyrically, rhythmically, or in live performance, making the music theirs. And if Jobim gets credit for laying the foundation of bossa nova, then the genre was brilliantly reimagined (and, arguably, defined) by the singer/songwriter and guitarist João Gilberto…