Joao Selva Quero Você

3 original albums + extra tracks in just 1 CD.
The most comprehensive compilation of his first recordings, including 20-page booklet with original art work, album liner notes and all the lyrics, presented in a nice Digipack format. Without question, these are the songs who started the Bossa Nova craze worldwide.
In summer 1958, João Gilberto - an unknown 28 year-old Brazilian guitarist and singer from Bahia- made his recording debut as a singer with two songs "Chega de Saudade" and "Bim Bom." With a new rhythmic feeling, batida, and rich harmonies he laid the basis of the modern Brazilian samba, now known as Bossa Nova…

Monteverdi - Selva Morale E Spirituale - Cantus Cölln, Concerto Palatino, Konrad Junghänel (2001) {3CD Set Harmonia Mundi HMC 901718.20}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 981 Mb | MP3 @320 -> 543 Mb
Full Artwork @ 300 dpi (jpg) -> 62 Mb | 5% repair rar
© 2001 Harmonia Mundi | HMC 901718.20
Classical / Baroque / Choral / Madrigal / Sacred

From the early 1630s onwards, Monteverdi had little by little become detached from his secular occupations – perhaps preparing to take his leave of earthly existence. But when he was already over 70 he set to work once more, publishing his eighth book of madrigals before offering the public a bulky collection of sacred works in the shape of the Selva morale e spirituale. Infinitely more ambitious than the comparable anthologies of his contemporaries, the work is here presented complete, enabling the listener to discover the whole range of Monteverdi’s output of sacred music, from madrigals and virtuoso solo motets to the most elaborate polyphony. In his preface evoking the multifarious “creatures” sheltered by this vast “moral and spiritual forest”, the father of Baroque music was merely emphasising the wonderful diversity of styles so characteristic of his wide-ranging genius.

João Gilberto - Eu Sei Que Vou Te Amar (Ao Vivo) (1994) {Epic 789.042-2-476467}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 278 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 300 dpi (png) -> 25 Mb | 5% repair rar
© 1994 Epic / Sony Music Brasil | 789.042-2-476467
Jazz / Bossa Nova / Latin / Brazilian Jazz

Years go by and João Gilberto's "studio" albums are becoming increasingly rare. João voz e violão (2000), produced by Caetano Veloso, is officially and to this day the artist's last studio album. I fall back on his Ao Vivo. In 1980 the very good João Gilberto Prado de Oliveira and Live in Montreux (1987) were released. In the 90s and 2000s, several Ao Vivo albums by João Gilberto were released, including the excellent Eu Sei Que Vou Te Amar (1995). On stage, João Gilberto is faithful to the precepts of Bossa Nova: acoustic guitar without ostentatious orchestral accompaniment, muffled voice, this slight difference between voice and guitar, fairly short titles.

João Gilberto (born João Gilberto Prado Pereira de Oliveira - June 10, 1931 – July 6, 2019), was a Brazilian singer, songwriter, and guitarist, who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world he was often called "father of bossa nova"; in his native Brazil, he was referred to as "O Mito" ("The Legend")

When talking about bossa nova, perhaps the signature pop music sound of Brazil, the first name that comes to mind is that of Antonio Carlos Jobim. With songs like "The Girl from Ipanema" and "Desafindo," Jobim pretty much set the standard for the creation of the bossa nova in the mid-'50s. However, as is often the case, others come along and took the genre in a new direction, reinventing it through radical reinterpretation, be it lyrically, rhythmically, or in live performance, making the music theirs. And if Jobim got credit for laying the foundation of bossa nova, then the genre was brilliantly reimagined (and, arguably, defined) by the singer/songwriter and guitarist João Gilberto. In his native country he was called "O Mito" (The Legend), a well-deserved nickname: Since he began recording in late '50s Gilberto, with his signature soft, near-whispering croon, set a standard few have equaled.

Bebel Gilberto releases her new album via [PIAS] Recordings. Entitled Joao, the album is a collection of songs made famous by her father João Gilberto, widely regarded as the “father of Bossa Nova music. João Gilberto passed away in 2019 after a 70 year career in music. Bebel began singing with him as a small child and the songs she sings on this new album have been with her all her life. Says Bebel- "João" is a love letter to my father. Since my first album I've never really covered any of my Dad's music. Now it's time to present to the public the songs from João Gilberto that have influenced me since I was born- and even before”.

Stan Getz meets João & Astrud Gilberto: New York 1964 is a live recording of bossa nova in the making. In 1989, the Giants of Jazz label released a live recording of a 1964 New York City performance featuring Stan Getz, João Gilberto and Astrud Gilberto, his then-wife. The album, entitled Stan Getz meets João & Astrud Gilberto is actually misleading: the trio had met previously in 1963 for the recording of the wildly successful album Getz/Gilberto, which was released in 1964 and set off the bossa nova frenzy in the U.S. As a result of that album’s success, the Brazilian Gilbertos and the American Getz played a number of shows in the U.S., such as the one recorded here. Released as part of the “Immortal Concerts” series, this recording exhibits the chemistry the three obviously shared and captures bossa nova in its infancy, as it was still being created and defined.