Jochum Sacd Iso

The German conductor Eugen Jochum recorded the complete Beethoven symphonies in stereo three times: First on DG in the Fifties with the Berlin Philharmonic and the Bavarian RSO; then in the Sixties on Philips in the set we have here with the Concertgebouw of Amsterdam; and finally in the Seventies on EMI with the London Symphony Orchestra. This LSO cycle may not have as much fire as Jochum's earlier Beethoven, but it has a fullness and richness of spirit unmatched in his younger efforts, better played and recorded than the previous ones.

Jochum's only stereo recording of Brahms - the world's first SACD of the complete symphonies. This Japanese reissue features 2017's 96kHz/24bit Remastering from the original master tapes. Compared to the performance of the Berlin Philharmonic previously recorded on the Deutsche Grammophon in mono, this Brahms is a performance that inherits traditional phrasing and balance, has a sense of tempo with ample room and a stepped interpretation.

Jochum's version of Carmina Burata leaves the rest behind. Jochum's baritone Dietrich Fischer-Dieskau in particular is the best baritone soloist for this work. The soprano, Gundula Janowitz, finds a quiet dignity for her contribution and this is finely done. The chorus are best when the music blazes, and the closing scene is moulded by Jochum with a wonderful control, almost Klemperian in its restrained power. The sound might be mid 1960's DG analogue but the performance leaves the rest way behind. Jochum's version was recorded in the presence of Carl Orff and is authorised by Carl Orff.

Eclectic, diverse or just plain odd - three descriptions to describe the coupling of Carl Orff, Ludwig van Beethoven and George Gershwin on a single release. Of course, in reality what we have are three different LP releases of modest length from the early/mid 70's all conducted by the young Michael Tilson-Thomas with his presence on the podium the single unifying thread.

Maestro Sergiu Celibidache was one of the most uncompromising figures in the music world, demanding three times as much rehearsal time as other conductors and with an ardent dislike of making recordings because he feared they misrepresented his musical intentions. This recording of Anton Bruckner's fifth symphony was made in October 1986 in Japanese Suntory Hall.

This 2-CD single-layer SACD compilation album contains 22 tracks selected from the titles that have been produced as single-layer SACDs from Deutsche Grammophon's analog period recordings as a Japanese original project. DISC1 contains symphonies and orchestral pieces. DISC2 contains concertos, chamber music, instrumental music, and vocal music from a wide range of classical music genres. Available for the price of one SACD. Celebrating Deutsche Grammophon's 125th anniversary.