Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Joe Gilman's a hell of a pianist, and one who already sets the album on fire working with his core trio – but things take off even more once the mighty tenor of Joe Henderson comes into the mix! Gilman's group features Robert Hurst and Jeff Tain Watts on drums – both as ably rhythmic as Joe himself, and able to follow all his bold leaps and flights on the keyboard – and Henderson's presence graces four of the album's ten tracks, with this soulful current that really deepens the sound – although the whole thing was already great enough in the first place! Tom Peron also plays trumpet on one number that features Henderson – and Gilman also plays a bit of electric piano at points. Titles include "Non Compos Mentis", "Juris Prudence", "Nefertiti", "The Enchantress", "Treasure Chest", and "New Aftershave".
Beck is back! A perfectionist, gifted with a sharp sense of self-criticism, Joe Beck (born on July 29, 1945, in Philadelphia, Pennsylvannia) was making good music (and a lot of money) when he disappeared from the NY music scene in 1971 to become a dairy farmer in Vermont. After his professional debut with Paul Winter’s group in 1964, he had played with such masters as Gary McFarland, Charles Lloyd, Chico Hamilton, and Gil Evans, on whose orchestra he was a member from 1967 to 1971. (One of his best albums with Evans, Where Flamingos Fly, only came out ten years later on the Artists House label).
The jazz world is full of jazz snobs – that is, myopic, narrow-minded people who only care about straight-ahead jazz and believe that rock, R&B, country, reggae, dance-pop, folk, and hip-hop have no right to exist. But Joe Beck isn't one of them; he's an admirably versatile guitarist who has crossed paths with everyone from Gene "Jug" Ammons to Frank Sinatra to disco-soul goddess Gloria Gaynor. Unfortunately, Beck has spent so much time backing others that his own catalog isn't as large as it should be, but he still has a lot to be proud of – and this 2002 release is an appealing addition to his résumé. A generally straight-ahead jazz effort (with some fusion moves here and there), Just Friends finds a 57-year-old Beck in a trio with bassist Mark Egan and drummer Danny Gottlieb and paying a lot of attention to well-known standards.
Long-awaited reissue of an interesting and rare masterpiece by jazz guitar virtuoso Joe Pass, who took on jazz funk! This is the first release on Gwyn Records, a minor label in California, and features a very impressive lineup. Paul Humphrey and Earl Palmer on drums, Carol Kaye (label owner) and Ray Brown on bass, J.J. Johnson, Tom Scott, and Conte Candoli on horns, this is truly a historical session that brought together the top musicians of the West Coast at the time. From the cool funk of "Better Days" at the beginning of the session, almost the entire album was a storm of jazz funk. "Free Sample" by Joe Sample, "Burning Spear," with its impressive undulating beat, "Head Start," with its too-subtle bass line, and the boogie shuffle "Gotcha!"…