Joh Lakos

Demonstrating an impressive level of sustained excellence, Rowland's mysteries set in 17th-century Japan form one of the best recent series in the genre. The 12th episode (after 2006's Red Chrysanthemum) delves deeper into the politics of an empire ruled by a figurehead as the background for a compelling and thrilling whodunit. Rowland continues to conjure up new hurdles for her sleuth, Sano Ichiro, recently elevated to the position of chamberlain.

owland once again delivers a mystery laden with details of period and place, with strong portrayals of palace intrigue in 17th-century Japan. Sano Ichiro has risen to the rank of Most Honorable Investigator for the shogun in 1690 Japan. As his fourth adventure (after 1997's The Way of the Traitor) begins, he is marrying the beautiful Lady Ueda Reiko. The wedding is interrupted by the sudden death of Hamune, one of the shogun's concubines, the victim of poisoned ink that Hamune used to give herself an intimate tattoo.

The complexities of Buddhist temple society challenge detective Sano Ichiro and his wife and helpmate, Reiko, in the latest installment in Rowland's (The Samurai's Wife) outstanding series set in Shogun-era Japan.

Seventeenth-century Tokyo is the setting for Rowland's debut novel, a murder mystery starring the Senior Police Commander in the district of Edo. Sano Ichiro, a samurai whose academic background puts him at odds with most of his peers, discovers two bodies in the Sumida River, a man and woman bound together in what appears to have been a shinju, or "double love suicide." The man is a peasant, the woman the high-born daughter of an important official.

Brutal murders linked to an ancient betrayal send late 17th-century Tokyo into a panic. They also spell big trouble for the Shogun's special investigator, Sano Ichiro, in this sequel to Rowland's well-received first novel, Shinju. The killings are made known when the severed heads of the victims are put on public display, in the manner of an ancient custom known as bundori, or war trophy. The victims are descendants of warriors who, more than a century earlier, were involved in the murder of a powerful warlord.

In Rowland's eighth engrossing 17th-century Japanese mystery (after 2002's The Pillow Book of Lady Wisteria), Sano Ichiro, the shogun's Most Honorable Investigator of Events, Situations and People, is roused in the middle of the night when the shogun's mother and Sano's wife, Reiko, are kidnapped en route to Mount Fuji and their escort slaughtered.

At the start of Rowland's assured 10th historical set in 17th-century Japan (after 2004's The Perfumed Sleeve), Sano Ichiro, now the shogun's chamberlain and second-in-command, returns to his previous role of criminal investigator after the country's top spy, Ejima Senzaemon, drops dead on his mount during a horse race. Sano quickly finds that Senzaemon was just the latest senior official to die without warning.

Rowland's 11th 17th-century Japanese historical (after 2005's The Assassin's Touch) is even more of a page-turner than its predecessors. Sano Ichiro has risen through the ranks from his position as the shogun's special investigator to the powerful station of chamberlain, but the shift in his duties has not shielded him from political opponents. He faces his greatest crisis yet when his terrified pregnant wife, Reiko, is discovered naked and blood-covered beside the corpse of a nobleman suspected of treason.

I am an avid cinephile of HK cinema. Since the early 90s, Stephen Chow has become HK's greatest asset, rising above genre limits in his latest mature directorial, writing, and acting efforts. Although I have watched many of his films, I only consciously realized recently how much I enjoy his work. Fist of Fury 1991 Part 2 will always be near the top of my list of favorite Chow films including Gong Fu (2004), Royal Tramp 2 (1992), Royal Tramp (1992), and King of Beggars (1992).

A performer's perspective on Bach's music for unaccompanied solo violin.