John Dunn

Calculus is another radical step forward for Zorn'two major 20-minute long-form compositions scored for piano trio. Featuring the incredible young pianist Brian Marsella along with the dynamic rhythm section of Trevor Dunn and Kenny Wollesen, this is a complex and exhilarating display of instrumental virtuosity at its most extreme. Drawing upon all of Zorn's musical obsessions, from thorny atonal- ity to touching minimalism, burning jazz, funk, folk, exotica, ambient, noise and more, this is some of the most ambitious and expansive music ever created for jazz piano trio. Passionately performed by three core members of Zorn's inner circle Calculus is an outrageous and kaleidocopic journey into the unknown!

Brian Marsella’s dynamic trio steps out for another exciting outing performing a new collection of Zorn compositions inspired by the mysterious and occult cards of the Tarot. This beautiful and varied followup to the popular and critically acclaimed 2019 CD The Hierophant features the remaining thirteen Tarot cards in tight arrangements, highlighting the incredible versatility and virtuosity of this powerhouse all-star jazz trio. A classic reading of occult jazz from our favorite Downtown alchemist!

Brian Marsella’s dynamic trio steps out for another exciting outing performing a new collection of Zorn compositions inspired by the mysterious and occult cards of the Tarot. This beautiful and varied followup to the popular and critically acclaimed 2019 CD The Hierophant features the remaining thirteen Tarot cards in tight arrangements, highlighting the incredible versatility and virtuosity of this powerhouse all-star jazz trio. A classic reading of occult jazz from our favorite Downtown alchemist!

Brian Marsella’s dynamic trio steps out for another exciting outing performing a new collection of Zorn compositions inspired by the mysterious and occult cards of the Tarot. This beautiful and varied followup to the popular and critically acclaimed 2019 CD The Hierophant features the remaining thirteen Tarot cards in tight arrangements, highlighting the incredible versatility and virtuosity of this powerhouse all-star jazz trio. A classic reading of occult jazz from our favorite Downtown alchemist!

The sixth installment in John Zorn's Moonchild series centers around the mysterious, monastic cult of warriors known as the Knights Templar, who were established and recognized by the Catholic Church somewhere near 1128 and were excommunicated by Pope Clement V in 1312 for heresy (allegedly for overtly worshipping Baphomet, i.e. Satan). While the Moonchild trio has been a constant - vocalist Mike Patton, drummer Joey Baron, and bassist Trevor Dunn - they have been augmented from time to time. Here, John Medeski's organ makes them a quartet and it's a nice touch; Zorn's music for this cycle, while full of dynamic bursts of rock, jazz, and avant power, also evokes Roman Catholic liturgical music to great effect…

In order to bear witness one must believe what one sees and belief, of course, is subjective. Knowledge is essentially faith. And the flexibility of human memory, our blind spots (whether empathetic or optic) and our great imaginations don’t make truth any easier to contain. This becomes more evident over time as the pages of history weather and the cataracts of progress cloud our collective “knowledge”. Humans love to forget and to repeat. We fall subject to confirmation bias, sway to suggestion, take the easy way out and allow ourselves to be governed while adamantly broadcasting our independence. Naturally it takes followers for a leader to exist, but like anomalons or quantum particles that change when being observed, the psychological battle within each of us changes depending on who is bearing witness. We are the worst portrayers of truth as we have no idea what it is. Everyone is a hypocrite. Everyone is wrong.