John h. Davis

The album features the song "Doctor Love", which peaked at No. 41 on the Billboard Hot 100 and No. 23 on the Hot Soul Singles chart. Another single, "Love Having You Around", had moderate success on the charts. The album was remastered and reissued with bonus tracks in 2012 by Big Break Records.

Miles Davis - Miles Ahead: Original Motion Picture Soundtrack (2016) {Columbia–Legacy 88985306672}
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© 2016 Columbia / Legacy / Sony Music / Sony Pictures | 88985306672
Jazz / Hard Bop / Modal Music / Fusion / Jazz Funk / Soundtrack / Trumpet

The release of the movie MILES AHEAD, Don Cheadle's wildly entertaining and moving exploration of Miles Davis, will be accompanied by this new soundtrack featuring musical highlights from Miles' career and new recordings overseen by Grammy Award-winning jazz/hip-hop artist Robert Glasper. This is a perfect primer on Davis' career for the new fan and a brilliant audio keepsake of the film for those who've studied his works inside and out. The album features 11 tracks from across Miles' catalogue from 1956 to 1981, select dialogue from the film featuring Cheadle in character, and five original compositions written, co-written, produced or performed exclusively for MILES AHEAD by Robert Glasper. These cues include "What's Wrong with That?" a jam that closes the movie imagining Cheadle as Miles playing in the present day with guest performers Glasper, Herbie Hancock, Wayne Shorter, Gary Clark, Jr. and Esperanza Spalding; plus "Gone 2015," an end-credits song featuring guest verses from rapper Pharoahe Monch. Cheadle also pens new liner notes for the album discussing the selection and creation of the songs on the soundtrack.

This set documents over three decades of exceptional artistry by Sir Colin Davis, one of the musical pillars of the Philips label, who died on Sunday 14th April 2013. He was a musician of incomparable integrity and class.
After signing to Philips exclusively in the mid-1960s, Davis produced work for the label of the highest quality and range over the next three decades: the first Berlioz cycle , pioneering Tippett, superb Haydn and Mozart, top-rank Sibelius, Beethoven, Stravinsky, Dvorak and Britten, and much else.

Miles Davis & John Coltrane - Live In New York (1957~63) {Bandstand Japan, 32JDB-133, Early Press}
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© 1957-63, 1987 Bandstand / Tokuma Japan | 32JDB-133
Jazz / Hard Bop / Modal Music / Trumpet / Saxophone

First the caveats (and I am providing them for historical accuracy, so please do not take them as complaints.) Coltrane is only on half of the tracks (Four, Walkin' and So What). One of the tracks, So What, while technically a live performance was actually a canned performance that was broadcast from CBS-TV Studio 61, New York City on April 2, 1959. This was from a recently discovered video of a broadcast for a series titled The Robert Herridge Theater.

Miles Davis - Bluing (1949-1951) {Past Perfect Silver Line 204377-203 rel 2000}
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© 1949-51, 2000 Past Perfect Silver Line / TIM The International Music Company AG | 204377-203
Jazz / Bop / Cool / Trumpet

Rare deluxe compilation that sounds and looks in all ways amazing. Some great picks on here in Miles' own Deception, Gerry Mulligan's Jeru or Baden Powell's Budo for starters. Lovely audophile piece in lovely taste.

As the fourth (fifth, if you count the Complete Live at the Plugged Nickel) entry in Columbia's celebrated series of Miles Davis box sets, The Complete Columbia Recordings: Miles Davis & John Coltrane was perhaps the most anticipated set, and it's easy to see why. The push and pull between Miles and Coltrane resulted in dynamic recordings that set the standard for modern jazz – and this was for their Prestige recordings, before they even moved to Columbia. Once Miles relocated to Columbia, he began to push the boundaries of his music. The progression from the sublime, after-hours 'Round About Midnight to the modal Milestones is remarkable – all the more so when Kind of Blue, the culmination of Davis' modal direction, is taken into the equation.

Hector Berlioz, France’s greatest Romantic composer, exemplifies the spirit of his age – yet his genius was also ahead of its time. Reflecting his colourful life, his music is astonishing for its originality and ambition, and for orchestration of groundbreaking brilliance. This, the first-ever complete Berlioz edition, comprises carefully selected recordings and even includes works completely new to the catalogue. The accompanying booklet, lavishly illustrated, contains a fascinating commentary from Berlioz biographer David Cairns, whose words bring the composer’s music still more vividly to life.

John Coltrane Quintet - The 1961 Helsinki Concert (2007) {Gambit Records 69275}
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© 1961, 2007 Gambit Records | 69275
Jazz / Hard Bop / Post Bop / Saxophone

John Coltrane and Eric Dolphy played and recorded together on many occasions. However, given the quality of their music and the high level of creativity involved in every single one of their performances, all new additions are always welcome. In this case, we present a previously unissued concert recorded from a radio broadcast in Helsinki in 1961, during the European tour in which Dolphy joined Trane's legendary quartet. The Helsinki performance showcases both Coltrane and Dolphy's musical explorations in search of new ways to express themselves.

Miles Davis - In a Silent Way (1969) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1219}
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© 1969, 2006 Sony Music Japan / Columbia | SICP 1219 | DSD | HQD High Quality Disc
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

Listening to Miles Davis' originally released version of In a Silent Way in light of the complete sessions released by Sony in 2001 (Columbia Legacy 65362) reveals just how strategic and dramatic a studio construction it was. If one listens to Joe Zawinul's original version of "In a Silent Way," it comes across as almost a folk song with a very pronounced melody. The version Miles Davis and Teo Macero assembled from the recording session in July of 1968 is anything but. There is no melody, not even a melodic frame. There are only vamps and solos, grooves layered on top of other grooves spiraling toward space but ending in silence.